Davenport Blues Brass Quintet - Digital Sheet Music

“Davenport Blues” is one of the defining early jazz recordings — not just for Bix Beiderbecke, but for the entire 1920s Midwestern jazz aesthetic. It was:Recorded: January 26, 1925, Gennett Studios, Richmond, IndianaReleased: Gennett 5654 (B‑side to “Toddlin’ Blues”)Personnel:Bix Beiderbecke — cornetTommy Dorsey — tromboneDon Murray — clarinetPaul Mertz — pianoHowdy Quicksell — banjoTom Gargano — drums Musical ArchitectureThe piece is fascinating because it isn’t a blues in the strict sense. Instead, it’s shaped like one of Bix’s own improvisations — lyrical, cool, harmonically fresh.Form:4‑bar introduction16‑bar verse32‑bar chorusVerse + chorus repeated2‑bar extended endingThis structure gives it a hybrid feel: part popular song, part jazz instrumental, part proto‑cool‑jazz cornet meditation.It was the first recording released under Bix’s own name, marking his emergence as a bandleader.The melody is often described as “a Beiderbecke solo turned into a composition” — a hallmark of his style.It became a jazz standard, covered and reinterpreted for decades.

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Details

Ensembles:
Brass Quintet
Genres:
Blues Jazz
Publishers:
TBQ Press
Series:
ArrangeMe
Format:
Score and Parts
Item types:
Digital
Level:
Late Intermediate
Usages:
School and Community
Number of Pages:
9

Brass Ensemble, Brass Quintet - Level 4 - Digital Download

SKU: A0.1828307

Composed by Bix Beiderbedke. Arranged by Rhoades Whitehill. This edition: pdf. Blues, Jazz. 9 pages. TBQ Press #1388196. Published by TBQ Press (A0.1828307).

“Davenport Blues” is one of the defining early jazz recordings — not just for Bix Beiderbecke, but for the entire 1920s Midwestern jazz aesthetic. It was:

Recorded: January 26, 1925, Gennett Studios, Richmond, Indiana
Released: Gennett 5654 (B‑side to “Toddlin’ Blues”)
Personnel:

Bix Beiderbecke — cornet
Tommy Dorsey — trombone
Don Murray — clarinet
Paul Mertz — piano
Howdy Quicksell — banjo
Tom Gargano — drums

Musical Architecture
The piece is fascinating because it isn’t a blues in the strict sense. Instead, it’s shaped like one of Bix’s own improvisations — lyrical, cool, harmonically fresh.

Form:
4‑bar introduction
16‑bar verse
32‑bar chorus
Verse + chorus repeated
2‑bar extended ending
This structure gives it a hybrid feel: part popular song, part jazz instrumental, part proto‑cool‑jazz cornet meditation.

It was the first recording released under Bix’s own name, marking his emergence as a bandleader.
The melody is often described as “a Beiderbecke solo turned into a composition” — a hallmark of his style.
It became a jazz standard, covered and reinterpreted for decades.

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ArrangeMe:
TBQ Press
Series:
ArrangeMe
Ensemble:
Brass Quintet
Publisher:
TBQ Press