Das Rauschende der Farbe Reflections on the life and work of Paula Modersohn-Becker (1876-1907) by Sir Peter Maxwell Davies Orchestra - Digital Sheet Music

By Sir Peter Maxwell Davies

Maxwell Davies’ 'Das Rauschende der Farbe' (The Sound of Colour) is a reflection on the life and work of the German artist Paula Modersohn-Becker who died aged 31 in 1907. Maxwell Davies first got to know the artist’s work whilst on a school exchange in Hamburg in 1951 and the composer has since written that Modersohn-Becker’s work has influenced the way that he views the relationship between art and the landscape in which it is produced. This is a particularly significant statement for a composer whose music is often a response to the land and seascape of his adopted home in the Orkney Isles. Commissioned by the Bremer Philharmoniker and first performed by them in 2007, the 30 minute orchestral work in three movements is one of the key works by Maxwell Davies in recent years.

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Details

Ensembles:
Orchestra
Genres:
Classical
Composers:
Sir Peter Maxwell Davies
Publishers:
Schott Music - Digital
Series:
Music of Our Time

Pic.2.afl.2.ca.2Acl.0.bcl.2.cbsn-4.3.2.btbn.1-timp.3perc(glsp, mar, crot, tub bells, bell tree, 2sus cym, clash cym, claves, b.d, wdbl)-str orchestra - Digital Download

SKU: S9.Q19897

Reflections on the life and work of Paula Modersohn-Becker (1876-1907). Composed by Sir Peter Maxwell Davies. This edition: study score. Music Of Our Time. Das 30minütige Orchesterwerk in drei Sätzen, das von den Bremer Philharmonikern in Auftrag gegeben und von diesen 2007 uraufgeführt wurde, gehört zu den Schlüsselwerken von Maxwell Davies der letzten Jahre. Study score. Op. 276. Duration 30 minutes. Schott Music - Digital #Q19897. Published by Schott Music - Digital (S9.Q19897).

Maxwell Davies’ 'Das Rauschende der Farbe' (The Sound of Colour) is a reflection on the life and work of the German artist Paula Modersohn-Becker who died aged 31 in 1907. Maxwell Davies first got to know the artist’s work whilst on a school exchange in Hamburg in 1951 and the composer has since written that Modersohn-Becker’s work has influenced the way that he views the relationship between art and the landscape in which it is produced. This is a particularly significant statement for a composer whose music is often a response to the land and seascape of his adopted home in the Orkney Isles. Commissioned by the Bremer Philharmoniker and first performed by them in 2007, the 30 minute orchestral work in three movements is one of the key works by Maxwell Davies in recent years.

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  • I Nachtliche Landschaft (1897)

  • II Tanzende mit Musikanten (um 1901)

  • III Selbstbildnis, die rechte Hand am Kinn (1906)