Daran erkennen wir, dass wir in Ihm bleiben Cantata for Whitsunday – Urtext by Johann Kuhnau SSATB - Sheet Music

By Johann Kuhnau

The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, "Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori" [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013)

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Details

Instrument:
Choir
Ensembles:
SSATB Orchestra
Genres:
Baroque Period Renaissance
Composers:
Johann Kuhnau
Publishers:
Breitkopf and Haertel
Series:
Breitkopf Orchestral Library
ISBN:
9790004350430
Item types:
Physical
Musical forms:
Cantata
Artist:
Johann Kuhnau
Usages:
Pentecost
Size:
10 x 12.5 inches
Number of Pages:
4
Shipping Weight:
0.1 pounds

Viola (solos: SSATB – 0.2.0.1 – 2.0.0.0 – timp – str – bc)

SKU: BR.OB-32090-20

Cantata for Whitsunday – Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque; Renaissance/early Baroque. Sheet Music. 4 pages. Duration 12'. Breitkopf and Haertel #OB 32090-20. Published by Breitkopf and Haertel (BR.OB-32090-20).

ISBN 9790004350430. 10 x 12.5 inches.

The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, "Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori" [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013).