Composed by John W. Duarte. Score and parts. Les Editions Doberman-Yppan #DO 1320. Published by Les Editions Doberman-Yppan (DY.DO-1320).
ISBN 9782897960995.
Danserie no.1, composed in 1977 and written for the Athenian Guitar Duo, shares parallel ideas and figurations seen in other works of this time. The central Galliard doffs its cap to the Renaissance masters, with the use of long improvisatory semiquaver runs, reminiscent of the sort of divisions one hears played by the lute in a ‘consort’ ensemble. The spirited finale reminds us of the composer’s broad knowledge of the guitar's percussive and dynamic range attributes, bringing this delightful duet to a satisfactory conclusion.
La Danserie no.1, composée en 1977 et écrite pour le duo de guitares athéniennes, partage des idées et des figurations parallèles vues dans d’autres œuvres de cette époque. La gaillarde centrale tire son chapeau aux maîtres de la Renaissance, avec l'utilisation de longues séries de doubles croches improvisées, rappelant le type de divisions que l'on entend jouer au luth dans un ensemble « consort ». Le finale fougueux nous rappelle la vaste connaissance du compositeur des attributs percussifs et dynamiques de la guitare, menant ce délicieux duo à une conclusion satisfaisante.
Composed by John W. Duarte. Score and parts. Les Editions Doberman-Yppan #DO 1320. Published by Les Editions Doberman-Yppan (DY.DO-1320).
ISBN 9782897960995.
Danserie no.1, composed in 1977 and written for the Athenian Guitar Duo, shares parallel ideas and figurations seen in other works of this time. The central Galliard doffs its cap to the Renaissance masters, with the use of long improvisatory semiquaver runs, reminiscent of the sort of divisions one hears played by the lute in a ‘consort’ ensemble. The spirited finale reminds us of the composer’s broad knowledge of the guitar's percussive and dynamic range attributes, bringing this delightful duet to a satisfactory conclusion.
La Danserie no.1, composée en 1977 et écrite pour le duo de guitares athéniennes, partage des idées et des figurations parallèles vues dans d’autres œuvres de cette époque. La gaillarde centrale tire son chapeau aux maîtres de la Renaissance, avec l'utilisation de longues séries de doubles croches improvisées, rappelant le type de divisions que l'on entend jouer au luth dans un ensemble « consort ». Le finale fougueux nous rappelle la vaste connaissance du compositeur des attributs percussifs et dynamiques de la guitare, menant ce délicieux duo à une conclusion satisfaisante.
Danserie No. 1, Op. 71: 1. Interrupted Polka
Danserie No. 1, Op. 71: 2. Galliard
Danserie No. 1, Op. 71: 3. Piva
Preview: Danserie No. 1, Op. 71
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