21503825
Cubajazz
21503825
21503825
21503825
Copyright Material for Preview Only - Sheet Music Plus
Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet 1-5, Trombone 1-3, Trombone 4 (opt.), Bass Trombone 5, Piano, Guitar, Bass, Drums) - advanced to difficult
SKU: M7.SMP-557
Latin/Swing. Composed by Bill Holman and Stanley Newcomb Kenton. Sheet music. Latin/Swing. Score and parts. Handelsware #SMP 557. Published by Handelsware (M7.SMP-557).
English.
Rarely does a piece turn up like this one. Although written for Stan Kenton (the mid-1950s), the chart never was recorded by the band (Holman doesn't know why), and it was lost for years. It is a sensational piece, combining Afro-Cuban rhythm (Latin) and Swing, and featuring solo space for tenor sax, trumpet and drums. It utilizes counterpoint between the wind sections over a Latin vamp and explores the perfect balance between counterpoint and dynamic ensemble writing in the Swing sections. This is Holman at his very best! 5-5-5-4.
Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet 1-5, Trombone 1-3, Trombone 4 (opt.), Bass Trombone 5, Piano, Guitar, Bass, Drums) - advanced to difficult
SKU: M7.SMP-557
Latin/Swing. Composed by Bill Holman and Stanley Newcomb Kenton. Sheet music. Latin/Swing. Score and parts. Handelsware #SMP 557. Published by Handelsware (M7.SMP-557).
English.
Rarely does a piece turn up like this one. Although written for Stan Kenton (the mid-1950s), the chart never was recorded by the band (Holman doesn't know why), and it was lost for years. It is a sensational piece, combining Afro-Cuban rhythm (Latin) and Swing, and featuring solo space for tenor sax, trumpet and drums. It utilizes counterpoint between the wind sections over a Latin vamp and explores the perfect balance between counterpoint and dynamic ensemble writing in the Swing sections. This is Holman at his very best! 5-5-5-4.
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