Coventry Carol Flute Solo - Digital Sheet Music

The Coventry Carol is a hauntingly beautiful English carol that reaches back to the 16th century. First performed in Coventry as part of The Pageant of the Shearmen and Tailors, it was woven into a mystery play retelling the Nativity story from the Gospel of Matthew. Within the drama, the carol emerges as a tender yet sorrowful lullaby, sung by mothers to their doomed children in the wake of King Herod’s order to slay all the infant boys of Bethlehem.The music itself carries both poignancy and grace, its melancholy lines unexpectedly closing with the brightness of a Picardy third. Though the carol’s author remains unknown, its words were first preserved in 1534 by Robert Croo, with the earliest surviving melody dating from 1591. Over the centuries, its timeless resonance has inspired new settings by modern composers, including Kenneth Leighton, Philip Stopford, and Michael McGlynn, each adding their own voice to this enduring lament of grief and faith.This arrangement is for flute and piano.

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Details

Instrument:
Piano Flute Solo
Genres:
Christmas Carols Traditional
Publishers:
Cascia Talbert
Series:
ArrangeMe
Format:
Score Score and Part
Item types:
Digital
Level:
Beginning
Usages:
Christmas School and Community
Number of Pages:
3

Flute, Piano - Level 1 - Digital Download

SKU: A0.1713639

Composed by Traditional English Melody. Arranged by Cascia Talbert. This edition: pdf. Christmas, Traditional. Score and part. 3 pages. Cascia Talbert #1277233. Published by Cascia Talbert (A0.1713639).

The Coventry Carol is a hauntingly beautiful English carol that reaches back to the 16th century. First performed in Coventry as part of The Pageant of the Shearmen and Tailors, it was woven into a mystery play retelling the Nativity story from the Gospel of Matthew. Within the drama, the carol emerges as a tender yet sorrowful lullaby, sung by mothers to their doomed children in the wake of King Herod’s order to slay all the infant boys of Bethlehem.

The music itself carries both poignancy and grace, its melancholy lines unexpectedly closing with the brightness of a Picardy third. Though the carol’s author remains unknown, its words were first preserved in 1534 by Robert Croo, with the earliest surviving melody dating from 1591. Over the centuries, its timeless resonance has inspired new settings by modern composers, including Kenneth Leighton, Philip Stopford, and Michael McGlynn, each adding their own voice to this enduring lament of grief and faith.

This arrangement is for flute and piano.

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This product was created by a member of ArrangeMe, Hal Leonard's self-publishing community for independent composers, arrangers, and songwriters. Discover unique arrangements of popular titles and original compositions from diverse creators. The length, difficulty, and pricing are determined by the arranger or composer.

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