Concerto No. 1 for Double Bass and Orchestra (with Violin obbligato) Double Bass and Piano by Franz Anton Hoffmeister Double Bass - Sheet Music

By Franz Anton Hoffmeister

Thanks to its wealth of invention, elegant workmanship, and technical and musical challenges, Franz Anton Hoffmeister's Concerto “No. 1” has emerged as the preferred concerto for double bass auditions. Tobias Glöckler's edition leaves no wishes unfulfilled: the double bass part appears in solo and orchestral tuning with piano reductions in D major and C major. Moreover an additional part, written in fingering notation, has been specially designed for use with the “Viennese tuning” customary in Hoffmeister's days. It allows players to use this resonant historical tuning immediately without tedious retraining. Finally, a separate part is also provided for the solo violin appearing in the second movement.

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Details

Instrument:
Double Bass Piano Accompaniment Violin
Genres:
Classical Period
Composers:
Franz Anton Hoffmeister
Publishers:
G. Henle
Series:
Henle Urtext
UPC:
884088184308
ISBN:
9790201807218
EAN:
9790201807218
Format:
Set of Parts Collection / Songbook Score and Parts
Item types:
Physical
Musical forms:
Concerto
Artist:
Franz Anton Hoffmeister
Usages:
School and Community
Size:
9.25x12.25x0.231 inches
Number of Pages:
74
Shipping Weight:
0.85 pounds

Strings Double Bass; Piano Accompaniment (Double Bass and Piano)

SKU: HL.51480721

Double Bass and Piano. Composed by Franz Anton Hoffmeister. Edited by Tobias Glö and ckler. Sheet Music. Paperbound. Henle Music Folios. Pages: Score = VI and 44 * DB Parts in Solo and Viennese Tuning = 22 * Vl Part = 2. Classical. Softcover. 74 pages. G. Henle #HN721. Published by G. Henle (HL.51480721).

ISBN 9790201807218. UPC: 884088184308. 9.25x12.25x0.231 inches.

Thanks to its wealth of invention, elegant workmanship, and technical and musical challenges, Franz Anton Hoffmeister's Concerto “No. 1” has emerged as the preferred concerto for double bass auditions. Tobias Glöckler's edition leaves no wishes unfulfilled: the double bass part appears in solo and orchestral tuning with piano reductions in D major and C major. Moreover an additional part, written in fingering notation, has been specially designed for use with the “Viennese tuning” customary in Hoffmeister's days. It allows players to use this resonant historical tuning immediately without tedious retraining. Finally, a separate part is also provided for the solo violin appearing in the second movement.

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  • Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
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