3868196
Concerto in D
3868196
3868196
3868196
Copyright Material for Preview Only - Sheet Music Plus
Trumpet and orchestra
SKU: BR.MR-1156
Score and parts. Composed by Giuseppe Torelli. Edited by Edward H. Tarr. Orchestra; stapled. Musica Rara. The edition for trumpet and piano contains two solo parts, which make it possible to play the work both on a B-flat trumpet as well as on a D instrument. Solo concerto; Renaissance/early Baroque; Baroque. Score and parts. 52 pages. Duration 7:00. Breitkopf and Haertel #MR 1156. Published by Breitkopf and Haertel (BR.MR-1156).
ISBN 9790004480953. 9 x 12 inches.
The Concerto in D was published around 1715 in a collective edition that comprised six concerti and mentioned three composers names, one of them being Giuseppe Torelli, to whom the work can be attributed unequivocally on stylistic grounds. Particularly striking is the fact that the parts of the two violins are sometimes worked out in a more virtuoso manner than that of the solo trumpet, which is only called for in the outer movements. The edition for trumpet and piano contains two solo parts, which make it possible to play the work both on a B-flat trumpet as well as on a D instrument.
The edition for trumpet and piano contains two solo parts, which make it possible to play the work both on a B-flat trumpet as well as on a D instrument.
Trumpet and orchestra
SKU: BR.MR-1156
Score and parts. Composed by Giuseppe Torelli. Edited by Edward H. Tarr. Orchestra; stapled. Musica Rara. The edition for trumpet and piano contains two solo parts, which make it possible to play the work both on a B-flat trumpet as well as on a D instrument. Solo concerto; Renaissance/early Baroque; Baroque. Score and parts. 52 pages. Duration 7:00. Breitkopf and Haertel #MR 1156. Published by Breitkopf and Haertel (BR.MR-1156).
ISBN 9790004480953. 9 x 12 inches.
The Concerto in D was published around 1715 in a collective edition that comprised six concerti and mentioned three composers names, one of them being Giuseppe Torelli, to whom the work can be attributed unequivocally on stylistic grounds. Particularly striking is the fact that the parts of the two violins are sometimes worked out in a more virtuoso manner than that of the solo trumpet, which is only called for in the outer movements. The edition for trumpet and piano contains two solo parts, which make it possible to play the work both on a B-flat trumpet as well as on a D instrument.
The edition for trumpet and piano contains two solo parts, which make it possible to play the work both on a B-flat trumpet as well as on a D instrument.
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