Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Andras Adorjan. Orchestra; stapled. Partitur-Bibliothek (Score Library). Solo concerto; Classical. Study Score. 60 pages. Duration 27:00. Breitkopf and Haertel #PB 15135. Published by Breitkopf and Haertel (BR.PB-15135).
ISBN 9790004214718. 6.5 x 9 inches.
Mozart excitedly reported to his father that the Comte de Guines played the flute incomparably, while his daughter was magnifique at the harp. He apparently had no reservations about writing a double concerto for this unusual scoring in Paris in 1778 and even though he had just admitted to his father that he couldnt stand the flute. It is surprising, then, that Mozart produced a singular, fairly easily performable work. Could it be that he exaggerated their technical abilities for some reason or other when he described his patrons to his father?The source situation is clear: An autograph has survived which is definitive in every respect, and can be incontestably included in a modern Urtext edition, down to the distinction between staccato dots and dashes.Cadenzas in the piano reduction by Robert D. Levin.
Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Andras Adorjan. Orchestra; stapled. Partitur-Bibliothek (Score Library). Solo concerto; Classical. Study Score. 60 pages. Duration 27:00. Breitkopf and Haertel #PB 15135. Published by Breitkopf and Haertel (BR.PB-15135).
ISBN 9790004214718. 6.5 x 9 inches.
Mozart excitedly reported to his father that the Comte de Guines played the flute incomparably, while his daughter was magnifique at the harp. He apparently had no reservations about writing a double concerto for this unusual scoring in Paris in 1778 and even though he had just admitted to his father that he couldnt stand the flute. It is surprising, then, that Mozart produced a singular, fairly easily performable work. Could it be that he exaggerated their technical abilities for some reason or other when he described his patrons to his father?The source situation is clear: An autograph has survived which is definitive in every respect, and can be incontestably included in a modern Urtext edition, down to the distinction between staccato dots and dashes.Cadenzas in the piano reduction by Robert D. Levin.
Preview: Concerto in C major K. 299 (297c)
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