2450690
Concerto for Violin, Strings and Basso continuo E major BWV 1042
2450690
2450690
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Concerto for Violin, Strings and Basso continuo E major BWV 1042 With an Urtext solo part and a solo part with bowing, fingering and comments on performance by Andrew Manze by Johann Sebastian Bach Violin Solo - Sheet Music

By Johann Sebastian Bach

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Details

Violin and piano (Violin solo, Piano) - Difficulty: medium

SKU: BA.BA05190-90

With an Urtext solo part and a solo part with bowing, fingering and comments on performance by Andrew Manze. Composed by Johann Sebastian Bach. Edited by Dietrich Kilian. Arranged by Martin Schelhaas. This edition: urtext edition. Stapled. Barenreiter Urtext. Baroque. Set of performance parts (includes separate pull-out violin part). With solo part, piano reduction and introductory text. BWV 1042. 32 pages. Duration 18m. Baerenreiter Verlag #BA05190-90. Published by Baerenreiter Verlag (BA.BA05190-90).

ISBN 9790006466955. 9x12 inches. Key: E major.

Today the three violin concertos, BWV 1041-3, are among Johann Sebastian Bach's best known and most popular instrumental works and enjoy a permanent place in the concert repertoire.

Our Urtext edition is based in the New Bach Edition. The revised violin and piano reduction includes an Urtext solo part and a solo part with bowing, fingering and comments on performance by Andrew Manze.

Ratings + Reviews

★ Based on 2 Reviews
★
Petrina W.
October 28, 2012
Bach 1st movt
Our accompanist LOVED the piano version of this. She said it was much easier to play than the other edition we had (I can't remember what the other edition was). My daughter is playing this for her DipABRSM. We like that there are 2 versions to choose from, although she had already learned it from another edition.
★
Tony
April 12, 2012
It's the best edition
This edition contains 2 separate scores - urtext & edited version by Andrew Manze. This music is one of the syllabus of current ABRSM Grade 8 & ATCL exam therefore I have studied several editions from different publishers (& editors) to find out the best edition for me. I found the fingering & bowing offered here is the most suitable for Baroque playing, while other editions changes too many bowings (from separate to slur) or fingering (from lower positions to higher - thicker timbre which is not so favourable for Baroque music). Players could bring true Baroque style to audiences easily.