20441717
Concerto
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Copyright Material for Preview Only - Sheet Music Plus
Orchestra, Viola
SKU: PR.416416190
For Viola (or Clarinet) and Orchestra. Composed by Johannes Brahms. Arranged by Samuel Adler. N.B.xa0 Soloists should be aware that the Viola version of the Concerto has a few octave changes from the original Brahms. xa0However, for rehearsal purposes, the Piano part from the original Sonata may be used. With Standard notation. Duration 0:21:00. Theodore Presser Company #416-41619. Published by Theodore Presser Company (PR.416416190).
UPC: 680160642823. 9 x 12 inches.
Pittsburgh Symphony Orchestra violist Randolph Kelly had premiered Adler's Viola Concerto in 2000, but the orchestra's artistic management preferred that he not perform a contemporary work for his next solo appearance. With that guideline, Kelly contacted Adler, the master of orchestration, to arrange the Brahms Sonata in F minor, Opus 120 for viola and orchestra. In this new setting, "The piece promises to bring the lush romantic strains of the famous sonata to a larger audience without upsetting the purists." (Andrew Druckenbrod, Pittsburgh Post-Gazette Classical Music Critic).
Orchestra, Viola
SKU: PR.416416190
For Viola (or Clarinet) and Orchestra. Composed by Johannes Brahms. Arranged by Samuel Adler. N.B.xa0 Soloists should be aware that the Viola version of the Concerto has a few octave changes from the original Brahms. xa0However, for rehearsal purposes, the Piano part from the original Sonata may be used. With Standard notation. Duration 0:21:00. Theodore Presser Company #416-41619. Published by Theodore Presser Company (PR.416416190).
UPC: 680160642823. 9 x 12 inches.
Pittsburgh Symphony Orchestra violist Randolph Kelly had premiered Adler's Viola Concerto in 2000, but the orchestra's artistic management preferred that he not perform a contemporary work for his next solo appearance. With that guideline, Kelly contacted Adler, the master of orchestration, to arrange the Brahms Sonata in F minor, Opus 120 for viola and orchestra. In this new setting, "The piece promises to bring the lush romantic strains of the famous sonata to a larger audience without upsetting the purists." (Andrew Druckenbrod, Pittsburgh Post-Gazette Classical Music Critic).
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