Composed by Carl Maria von Weber. Edited by Henri Kling. Solo instruments; stapled. Edition Breitkopf. Solo concerto; Romantic. Piano reduction. 20 pages. Duration 11'. Breitkopf and Haertel #EB 2509. Published by Breitkopf and Haertel (BR.EB-2509).
ISBN 9790004161111. 9 x 12 inches.
Multiphonics in the early 19th century? It is possible that Carl Maria von Weber truly did notate these multiple sounds for the first time in 1815 in the present Horn Concertino op. 45. The concert piece, whose form is designed totally freely, is regarded as one of the most demanding works for horn and orchestra of all. While the con fuoco passages following the slow introductory sections are of breakneck difficulty, the soloist later finds himself in the center of the work with the ,,cadenza in the form of a recitative at the end of which the famous (infamous?) multiphonic passages occur.
Composed by Carl Maria von Weber. Edited by Henri Kling. Solo instruments; stapled. Edition Breitkopf. Solo concerto; Romantic. Piano reduction. 20 pages. Duration 11'. Breitkopf and Haertel #EB 2509. Published by Breitkopf and Haertel (BR.EB-2509).
ISBN 9790004161111. 9 x 12 inches.
Multiphonics in the early 19th century? It is possible that Carl Maria von Weber truly did notate these multiple sounds for the first time in 1815 in the present Horn Concertino op. 45. The concert piece, whose form is designed totally freely, is regarded as one of the most demanding works for horn and orchestra of all. While the con fuoco passages following the slow introductory sections are of breakneck difficulty, the soloist later finds himself in the center of the work with the ,,cadenza in the form of a recitative at the end of which the famous (infamous?) multiphonic passages occur.
Preview: Concertino in E minor Op. 45
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