6041779
Concertino
6041779
6041779
6041779
Copyright Material for Preview Only - Sheet Music Plus
2 Pianos, 4 Hands; Piano Duet - intermediate to advanced
SKU: HL.49013049
For 2 Pianos/4 Hands. Composed by Istvan Szelenyi. Edited by Laszlo Szelenyi. This edition: Saddle stitching. Sheet music. Edition Schott. I. Szelenyi schrieb das Concertino im Jahre 1964. Das nicht allzuschwere, musikantische Stucke hat zwei Satze (Tranquillo - Vivace).Zum 100. Geburtstag von I. Szelenyi am 8. 8. 2004. Classical. 2 copies needed for performance. Composed 1964. 52 pages. Schott Music #ED 9568. Published by Schott Music (HL.49013049).
ISBN 9790001134064. UPC: 073999351798. 9.0x12.0x0.191 inches.
This work by Kodály's pupil Szelényi, published here for the first time, might be seen as something approaching the Romantic “piano concerto without orchestra”. Even the Fugato in this work seems to point to the Romantic tradition, recalling as it does Liszt's Sonata in B minor. The varied interplay between dramatic and lyrical moods is richly inventive. This “Concertino” offers (young) piano soloists the opportunity to mount the podium as an aspiring virtuoso, accompanying a second part that demonstrates symphonic pretensions. The two players are evenly matched in musical terms in the dialogue between the two pianos.
2 Pianos, 4 Hands; Piano Duet - intermediate to advanced
SKU: HL.49013049
For 2 Pianos/4 Hands. Composed by Istvan Szelenyi. Edited by Laszlo Szelenyi. This edition: Saddle stitching. Sheet music. Edition Schott. I. Szelenyi schrieb das Concertino im Jahre 1964. Das nicht allzuschwere, musikantische Stucke hat zwei Satze (Tranquillo - Vivace).Zum 100. Geburtstag von I. Szelenyi am 8. 8. 2004. Classical. 2 copies needed for performance. Composed 1964. 52 pages. Schott Music #ED 9568. Published by Schott Music (HL.49013049).
ISBN 9790001134064. UPC: 073999351798. 9.0x12.0x0.191 inches.
This work by Kodály's pupil Szelényi, published here for the first time, might be seen as something approaching the Romantic “piano concerto without orchestra”. Even the Fugato in this work seems to point to the Romantic tradition, recalling as it does Liszt's Sonata in B minor. The varied interplay between dramatic and lyrical moods is richly inventive. This “Concertino” offers (young) piano soloists the opportunity to mount the podium as an aspiring virtuoso, accompanying a second part that demonstrates symphonic pretensions. The two players are evenly matched in musical terms in the dialogue between the two pianos.
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