Composed by Johann Sebastian Bach. Edited by Christoph Wolff. This edition: facsimile. Half-leather binding. Documenta musicologica II/57 / Barenreiter Facsimile. Faksimile der autographen Partitur in der Staatsbibliothek zu Berlin - Preußischer Kulturbesitz. Facsimile. BWV 1052-1059. 106, 26 pages. Baerenreiter Verlag #BVK02472. Published by Baerenreiter Verlag (BA.BVK02472).
ISBN 9783761824726. 15.75 x 9.45 inches.
Music for a Leipzig"coffee house"and for other venues - Johann Sebastian Bach composed not only for the nobility and the church, but also for bourgeois musical culture. Among these works are the harpsichord concertos. They are noted down in a manuscript that is a unique and probably the most important document for the instrumental repertoire of the Leipzig"Collegium Musicum".
Bach arranged his concerto movements in such a way that the harpsichord is given a solo part that exploits the instrument's"clavieristic"possibilities to the full. These works thus fix a decisive moment in the early history of the piano concerto genre which received significant impulses from Bach and his circle of students.
The autograph offers revealing insights into the composer's working methods, elucidated by Christoph Wolff in an accompanying essay. Martina Rebmann describes the genesis of the Bach collection at the Staatsbibliothek zu Berlin, which holds the autograph.
The facsimile in high-quality four-colour printing reproduces the extensive score in its original size; BWV and bar numbers on every page facilitate its use.
Composed by Johann Sebastian Bach. Edited by Christoph Wolff. This edition: facsimile. Half-leather binding. Documenta musicologica II/57 / Barenreiter Facsimile. Faksimile der autographen Partitur in der Staatsbibliothek zu Berlin - Preußischer Kulturbesitz. Facsimile. BWV 1052-1059. 106, 26 pages. Baerenreiter Verlag #BVK02472. Published by Baerenreiter Verlag (BA.BVK02472).
ISBN 9783761824726. 15.75 x 9.45 inches.
Music for a Leipzig"coffee house"and for other venues - Johann Sebastian Bach composed not only for the nobility and the church, but also for bourgeois musical culture. Among these works are the harpsichord concertos. They are noted down in a manuscript that is a unique and probably the most important document for the instrumental repertoire of the Leipzig"Collegium Musicum".
Bach arranged his concerto movements in such a way that the harpsichord is given a solo part that exploits the instrument's"clavieristic"possibilities to the full. These works thus fix a decisive moment in the early history of the piano concerto genre which received significant impulses from Bach and his circle of students.
The autograph offers revealing insights into the composer's working methods, elucidated by Christoph Wolff in an accompanying essay. Martina Rebmann describes the genesis of the Bach collection at the Staatsbibliothek zu Berlin, which holds the autograph.
The facsimile in high-quality four-colour printing reproduces the extensive score in its original size; BWV and bar numbers on every page facilitate its use.
Preview: Concerti a Cembalo obligato, BWV 1052-1059
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