Complete Madrigals (10 Vols.) by Claudio Monteverdi Choir - Sheet Music

By Claudio Monteverdi

Claudio Monteverdi's (Cremona 1567 - Venezia 1643) nine books of madrigals can be divided into three groups. The first two books were written in the so-called Cremonese period (until 1590), when the composer was still very much under the influence of his teacher, Marcantonio Ingegneri. Books 3-5 were composed during the Mantuan years (1591-1612); the innovative style of these compositions - especially those in the fourth book - gave origin to a controversy with Artusi and other musicians, which ended, on Monteverdi's side, with the theoretical definition of 'seconda pratica', which is mentioned in the preface to the fifth book, and further developed by his brother Cesare in the introduction to Scherzi musicali (1607). The last four books were conceived during the composer's Venetian years; in 1613 Monteverdi was hired as maestro di cappella in S. Marco, an office he held until his death; he thus became the foremost musical figure in the entire Republic. The ninth book was published posthumously in Venice (1651).This is the first complete Urtext publication including the entire corpus of madrigals composed by the great Cremonese master. An edition which was impatiently expected by musicologists and musicians who have until now had to use the admirable, albeit timeworn Malipiero edition.

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Details

Instrument:
Choir Voice
Ensembles:
Choir
Genres:
Baroque Period Renaissance
Composers:
Claudio Monteverdi
Publishers:
Ut Orpheus
ISBN:
9790215319226
Format:
Score
Item types:
Physical
Artist:
Claudio Monteverdi
Usages:
School and Community
Size:
9 x 12 inches
Shipping Weight:
11.55 pounds

Choir; Early Music; Voice

SKU: UT.ODH-32

Composed by Claudio Monteverdi. Edited by Andrea Bornstein and Michelangelo Gabbrielli. Paperback (Soft Cover). Claudio Monteverdi - Complete Madrigals. Classical. Score. Ut Orpheus #ODH 32. Published by Ut Orpheus (UT.ODH-32).

ISBN 9790215319226. 9 x 12 inches.

Claudio Monteverdi's (Cremona 1567 - Venezia 1643) nine books of madrigals can be divided into three groups. The first two books were written in the so-called Cremonese period (until 1590), when the composer was still very much under the influence of his teacher, Marcantonio Ingegneri. Books 3-5 were composed during the Mantuan years (1591-1612); the innovative style of these compositions - especially those in the fourth book - gave origin to a controversy with Artusi and other musicians, which ended, on Monteverdi's side, with the theoretical definition of 'seconda pratica', which is mentioned in the preface to the fifth book, and further developed by his brother Cesare in the introduction to Scherzi musicali (1607). The last four books were conceived during the composer's Venetian years; in 1613 Monteverdi was hired as maestro di cappella in S. Marco, an office he held until his death; he thus became the foremost musical figure in the entire Republic. The ninth book was published posthumously in Venice (1651).

This is the first complete Urtext publication including the entire corpus of madrigals composed by the great Cremonese master. An edition which was impatiently expected by musicologists and musicians who have until now had to use the admirable, albeit timeworn Malipiero edition.

  • D Caribbean

  • Adagio in A Flat

  • All American A

  • B Flat Boogie

  • Beautiful E

  • E Flat Exercise

  • F Impressions

  • G Flat March

  • Honey B Swing

  • Ragtime G

  • Tango in D Flat

  • Twinkle, Twinkle Little C