Come, Jesu, come Motette by Johann Sebastian Bach Voice - Sheet Music

By Johann Sebastian Bach

In 1684 Johann Schelle, the Kantor of St. Thomas’s, set to music Komm, Jesu, komm, a five-part choral aria written by Paul Thymich for the funeral of the Rector of St. Thomas’s (Carus 1.036). Almost 50 years later, Schelle’s successor-but-one Johann Sebastian Bach drew on this text and used the 1st and 11th verses for his double-choir funeral motet of the same name. But Bach only set the first verse of Thymich’s text for double choir; he set the last verse in the form of a choral aria. The motet was given the nickname "Der saure Weg" by the choirboys of St. Thomas’s because of its particularly distinctive and tricky passage in the first movement.

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Details

Instrument:
Organ Voice
Genres:
Christian Baroque Period
Composers:
Johann Sebastian Bach
Publishers:
Carus Verlag
Series:
Stuttgart Urtext Edition
ISBN:
9790007242183
Format:
Part
Item types:
Physical
Instructionals:
Methods and More
Artist:
Johann Sebastian Bach
Usages:
Funeral
Main Key:
G minor
Size:
9 x 12 inches
Number of Pages:
8
Shipping Weight:
0.09 pounds

Organ - Grade 4

SKU: CA.3122949

Motette. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Organ. Innovative practice aids, Sacred vocal music, Motets, Mourning, death. Individual part. BWV 229. 8 pages. Duration 9 minutes. Carus Verlag #CV 31.229/49. Published by Carus Verlag (CA.3122949).

ISBN 9790007242183. 9 x 12 inches. Key: G minor. Language: German/English.

In 1684 Johann Schelle, the Kantor of St. Thomas’s, set to music Komm, Jesu, komm, a five-part choral aria written by Paul Thymich for the funeral of the Rector of St. Thomas’s (Carus 1.036). Almost 50 years later, Schelle’s successor-but-one Johann Sebastian Bach drew on this text and used the 1st and 11th verses for his double-choir funeral motet of the same name. But Bach only set the first verse of Thymich’s text for double choir; he set the last verse in the form of a choral aria. The motet was given the nickname "Der saure Weg" by the choirboys of St. Thomas’s because of its particularly distinctive and tricky passage in the first movement.