22411739
Circular Argument
22411739
22411739
22411739
Copyright Material for Preview Only - Sheet Music Plus
Brass quintet (2 trumpets, horn, trombone and tuba) - Grade 4-5
SKU: ET.ENS229
Italian / Espanol. Composed by Alexandros Livitsanos. Contemporary. Score and parts. Editions BIM #ENS229. Published by Editions BIM (ET.ENS229).
ISBN 9790207010728.
Circular Argument takes its roots in the music of Balcan countries. Each movement of this suite has its own character, based on a main theme. A lively and casual work which connects to all kinds of memories and emotions.
OU TROUVé SUR LE SITE DU COMPOSITEUR
“Circular Argument is a work that follows a sequence of events with an intense musical language which always balances between irony,sarcasm,and internal conflict.
Nevertheless, nostalgia and mourning are distinct in the 3rd movement which is the work’s most lyrical part.
Argument and sarcasm seem to stop for a while.
The 4th and last movement start with the main theme which appears transformed.
Previous elements and emotions that dominate the work make their appearance by fighting with one another up to a cry of despair represented by a big dissonant chord by all instruments.
Who will dominate in this argument?
Brass quintet (2 trumpets, horn, trombone and tuba) - Grade 4-5
SKU: ET.ENS229
Italian / Espanol. Composed by Alexandros Livitsanos. Contemporary. Score and parts. Editions BIM #ENS229. Published by Editions BIM (ET.ENS229).
ISBN 9790207010728.
Circular Argument takes its roots in the music of Balcan countries. Each movement of this suite has its own character, based on a main theme. A lively and casual work which connects to all kinds of memories and emotions.
OU TROUVé SUR LE SITE DU COMPOSITEUR
“Circular Argument is a work that follows a sequence of events with an intense musical language which always balances between irony,sarcasm,and internal conflict.
Nevertheless, nostalgia and mourning are distinct in the 3rd movement which is the work’s most lyrical part.
Argument and sarcasm seem to stop for a while.
The 4th and last movement start with the main theme which appears transformed.
Previous elements and emotions that dominate the work make their appearance by fighting with one another up to a cry of despair represented by a big dissonant chord by all instruments.
Who will dominate in this argument?
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