22041148
Christ Still Rises
22041148
22041148
22041148
Copyright Material for Preview Only - Sheet Music Plus
SATB choir, assembly, keyboard accompaniment, violin - Early intermediate
SKU: GI.G-10450
Composed by Benjamin Brody. Eastertide, Easter Sunday. Celebration Series. Sacred. Octavo. With guitar chord names. 16 pages. GIA Publications #10450. Published by GIA Publications (GI.G-10450).
UPC: 785147045014. English. Text by David Bjorlin. Scripture: Isaiah 25:6–9, Isaiah 65:17–25, Matthew 28, Mark 16:1–13, Luke 24, John 20:1–18, Romans 6:3–11, Revelation 21:1–7.
This choral arrangement was written during the height of the COVID pandemic with virtual choirs in mind. The piece is wonderfully adaptable whether sung by a vocal quartet or a full choir, featuring unison lines that may be taken by a soloist and a violin part that could be played by any treble C instrument or even incorporated into the piano accompaniment.
This choral arrangement was written during the height of the COVID pandemic with virtual choirs in mind. The piece is wonderfully adaptable whether sung by a vocal quartet or a full choir, featuring unison lines that may be taken by a soloist and a violin part that could be played by any treble C instrument or even incorporated into the piano accompaniment.
SATB choir, assembly, keyboard accompaniment, violin - Early intermediate
SKU: GI.G-10450
Composed by Benjamin Brody. Eastertide, Easter Sunday. Celebration Series. Sacred. Octavo. With guitar chord names. 16 pages. GIA Publications #10450. Published by GIA Publications (GI.G-10450).
UPC: 785147045014. English. Text by David Bjorlin. Scripture: Isaiah 25:6–9, Isaiah 65:17–25, Matthew 28, Mark 16:1–13, Luke 24, John 20:1–18, Romans 6:3–11, Revelation 21:1–7.
This choral arrangement was written during the height of the COVID pandemic with virtual choirs in mind. The piece is wonderfully adaptable whether sung by a vocal quartet or a full choir, featuring unison lines that may be taken by a soloist and a violin part that could be played by any treble C instrument or even incorporated into the piano accompaniment.
This choral arrangement was written during the height of the COVID pandemic with virtual choirs in mind. The piece is wonderfully adaptable whether sung by a vocal quartet or a full choir, featuring unison lines that may be taken by a soloist and a violin part that could be played by any treble C instrument or even incorporated into the piano accompaniment.
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