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Composed by Ludwig van Beethoven. Arranged by Xaver Scharwenka. Concerto, Instrumental Solo, Choral, Original Works, Transcriptions. Reprint Source: Leipzig: Breitkopf & Hartel, 1915. Plate 27544. Romantic, German. Vocal score (Scharwenka). Composed 1808. 36 pages. Duration 18 minutes. Serenissima #19269. Published by Serenissima (SA.19269).
ISBN 9781932419269. 9.5 x 12.5 inches.
Beethoven's Fantasia for Piano, Chorus and Orchestra, composed late in 1808, is sometimes described as a prototype of the Symphony No.9. The first two thirds of the work could be described as a concert piece for piano solo and orchestra. Only after 400 measures does the chorus enter, with a tune that does bear some similarity to the renowned Ode to Joy - which was still 15 years in the future when this work was composed. This new large-format vocal score is a digitally enhanced reissue of the reduction prepared by the renowned pianist Xaver Scharwenka that was first issued by Breitkopf und Hartel, Leipzig in 1915. It actually doubles as a solo part and a vocal score and is an unusual dual-purpose score that works extremely well for rehearsals and performance.
Composed by Ludwig van Beethoven. Arranged by Xaver Scharwenka. Concerto, Instrumental Solo, Choral, Original Works, Transcriptions. Reprint Source: Leipzig: Breitkopf & Hartel, 1915. Plate 27544. Romantic, German. Vocal score (Scharwenka). Composed 1808. 36 pages. Duration 18 minutes. Serenissima #19269. Published by Serenissima (SA.19269).
ISBN 9781932419269. 9.5 x 12.5 inches.
Beethoven's Fantasia for Piano, Chorus and Orchestra, composed late in 1808, is sometimes described as a prototype of the Symphony No.9. The first two thirds of the work could be described as a concert piece for piano solo and orchestra. Only after 400 measures does the chorus enter, with a tune that does bear some similarity to the renowned Ode to Joy - which was still 15 years in the future when this work was composed. This new large-format vocal score is a digitally enhanced reissue of the reduction prepared by the renowned pianist Xaver Scharwenka that was first issued by Breitkopf und Hartel, Leipzig in 1915. It actually doubles as a solo part and a vocal score and is an unusual dual-purpose score that works extremely well for rehearsals and performance.
Preview: Choral Fantasy, Op.80
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