Chinatown - Score Only by Jerry Goldsmith Full Orchestra - Digital Sheet Music

By Jerry Goldsmith

After Phillip Lambro’s original score for Chinatown was rejected at the last minute, composer Jerry Goldsmith was brought in to “save the day”. It’s amazing to think that what is now considered a classic score, and a template for the film noir sound, was written in only ten days. In a meeting with producer Robert Evans, it was suggested that they wanted a contemporary 1930s feel to the music, but Jerry pushed back on this idea saying that this was already displayed on the screen, and that the underscore should enhance the emotion, and emotions are timeless. Jerry hadn’t yet considered what he was going to write, when asked what he envisiged in terms of orchestration, so he quickly replied “four pianos, four harps, strings, solo trumpet and two percussion” which Evans liked the idea of. Having spoken himself into this “trap”, Jerry then had to go home and write it, and it turned out to be an interesting combination of instruments to write for Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!

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Details

Ensembles:
Full Orchestra
Genres:
TV Movies
Composers:
Jerry Goldsmith
Publishers:
Chris Siddall Music Publishing
Series:
ArrangeMe
Format:
Score
Item types:
Digital
Level:
Late Intermediate
Artist:
Jerry Goldsmith
Usages:
School and Community
Number of Pages:
8

Full Orchestra - Level 4 - Digital Download

SKU: A0.1077397

Composed by Jerry Goldsmith. Arranged by Chris Siddall. Film/TV. 8 pages. Chris Siddall Music Publishing #681583. Published by Chris Siddall Music Publishing (A0.1077397).

After Phillip Lambro’s original score for Chinatown was rejected at the last minute, composer Jerry Goldsmith was brought in to “save the day”. It’s amazing to think that what is now considered a classic score, and a template for the film noir sound, was written in only ten days. In a meeting with producer Robert Evans, it was suggested that they wanted a contemporary 1930s feel to the music, but Jerry pushed back on this idea saying that this was already displayed on the screen, and that the underscore should enhance the emotion, and emotions are timeless. Jerry hadn’t yet considered what he was going to write, when asked what he envisiged in terms of orchestration, so he quickly replied “four pianos, four harps, strings, solo trumpet and two percussion” which Evans liked the idea of. Having spoken himself into this “trap”, Jerry then had to go home and write it, and it turned out to be an interesting combination of instruments to write for Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!

About ArrangeMe

This product was created by a member of ArrangeMe, Hal Leonard's self-publishing community for independent composers, arrangers, and songwriters. Discover unique arrangements of popular titles and original compositions from diverse creators. The length, difficulty, and pricing are determined by the arranger or composer.

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