20135429
Chemin qui tourne
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20135429
20135429
Copyright Material for Preview Only - Sheet Music Plus
SATB chorus - Grade 4
SKU: CA.965850
Les Quatrains Valaisans V. Composed by Cyrill Schurch. Edited by Stefan Schuck. CARUS CONTEMPORARY. Genres / texts frequently set to music: Secular choral music. Secular choral music. Score. 4 pages. Duration 2 minutes. Carus Verlag #CV 09.658/50. Published by Carus Verlag (CA.965850).
ISBN 9790007164959. 8.27 x 11.69 inches. Text language: French. Text by Rainer Maria Rilke.
In his settings of five quatrains by Rilke, Cyrill Schürch explores the colorfulness of the literary model. His mainly homophonic, song-like style of setting corresponds to the compactness of the poetry. Schürch wanders freely, but always comprehensibly, through the keys and employs dissonances pointedly and economically. In this way, Schürch’s songs for choir are comparable to Hindemith’s sophisticated choral settings of Rilke, while speaking their very own tonal language. The short compositions with their poetically sanguine basic character will enrich every concert program focused on the topics of nature and landscape. They represent a rewarding project for any choir that finds pleasure in exploring tone colors and delicate emotional nuances.
SATB chorus - Grade 4
SKU: CA.965850
Les Quatrains Valaisans V. Composed by Cyrill Schurch. Edited by Stefan Schuck. CARUS CONTEMPORARY. Genres / texts frequently set to music: Secular choral music. Secular choral music. Score. 4 pages. Duration 2 minutes. Carus Verlag #CV 09.658/50. Published by Carus Verlag (CA.965850).
ISBN 9790007164959. 8.27 x 11.69 inches. Text language: French. Text by Rainer Maria Rilke.
In his settings of five quatrains by Rilke, Cyrill Schürch explores the colorfulness of the literary model. His mainly homophonic, song-like style of setting corresponds to the compactness of the poetry. Schürch wanders freely, but always comprehensibly, through the keys and employs dissonances pointedly and economically. In this way, Schürch’s songs for choir are comparable to Hindemith’s sophisticated choral settings of Rilke, while speaking their very own tonal language. The short compositions with their poetically sanguine basic character will enrich every concert program focused on the topics of nature and landscape. They represent a rewarding project for any choir that finds pleasure in exploring tone colors and delicate emotional nuances.
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