Cello Concerto No. 1 Cello and Piano Reduction Piano Accompaniment - Sheet Music

Commissioned by the Orchestre de Paris, and first performed by them in 1999 with soloist Anssi Karttunen, conducted by Esa-Pekka Salonen. The work is cast in a 25-minute span punctuated by an improvised cadenza. Performers not wishing to improvise may substitute Boria from Lindbergs solo cello suite Partia, which is included in the publication. Diapason commented, "The writing is homogeneous, virtuosic, energetic, with the cello up near the bridge almost without interruption in a highly taut style which travels at a quickstep through all the possibilities of the instrument." Those possibilities include scordatura (for both soloist and orchestral cellos) and the so-called 'seagull' glissando.

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Details

Instrument:
Piano Accompaniment Cello Solo
Genres:
Classical
Publishers:
Bote & Bock
Series:
Boosey & Hawkes Chamber Music
UPC:
840126908787
ISBN:
9780851627946
Format:
Reduction Collection / Songbook
Item types:
Physical
Musical forms:
Concerto
Usages:
School and Community
Number of Pages:
100
Size:
9.0x12.0x0.256 inches
Shipping Weight:
0.98 pounds

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48024838

Cello and Piano Reduction. Composed by Magnus Lindberg. Boosey & Hawkes Chamber Music. Classical. Softcover. 100 pages. Duration 1500 seconds. Bote & Bock #M060123436. Published by Bote & Bock (HL.48024838).

ISBN 9780851627946. UPC: 840126908787. 9.0x12.0x0.256 inches.

Commissioned by the Orchestre de Paris, and first performed by them in 1999 with soloist Anssi Karttunen, conducted by Esa-Pekka Salonen. The work is cast in a 25-minute span punctuated by an improvised cadenza. Performers not wishing to improvise may substitute Boria from Lindbergs solo cello suite Partia, which is included in the publication. Diapason commented, "The writing is homogeneous, virtuosic, energetic, with the cello up near the bridge almost without interruption in a highly taut style which travels at a quickstep through all the possibilities of the instrument." Those possibilities include scordatura (for both soloist and orchestral cellos) and the so-called 'seagull' glissando.