22795271
Celebration of Peace
22795271
22795271
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Celebration of Peace Oseh Shalom Concert Band - Sheet Music

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Details

  • Format:
    Score
    Item types:
    Physical
    Level:
    Grade 3
    Usages:
    Unity
    Main Key:
    Bb minor
    Number of Pages:
    24
    Size:
    9 x 12 inches
    Shipping Weight:
    0.21 pounds
Concert band Bass Clarinet, Bass Drum, Bassoon, Bb Euphonium, Chime, China Cymbal, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Crash Cymbals, Euphonium, Flute 1, Flute 2, Horn in F 1, Horn in F 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2 and more. (Bass Clarinet, Bass Drum, Bassoon, Bb Euphonium, China Cymbal, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Crash Cymbals, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal and more.) - Grade 3

SKU: CF.CPS283F

Oseh Shalom. Composed by Michael J. Miller. This edition: saddle-wire stitch. Sws. Full score. 24 pages. Duration 0:03:35. Carl Fischer Music #CPS283F. Published by Carl Fischer Music (CF.CPS283F).

ISBN 9781491166352. UPC: 680160925407. 9 x 12 inches. Key: Bb minor.

Celebration of Peace is a fantasy on Oseh Shalom ("He Who Makes Peace"), a traditional Hebrew song. It was inspired by and is dedicated to Mr. David Abrams, a band director, multi-instrumentalist, breathing specialist, and close friend and colleague of the composer. Mr. Abrams is one of the founding members of Lake Patrol, a consortium of brass musicians from across the United States.The beginning of the work is set in a songlike fashion to highlight the melody first heard in the clarinet section. This is followed by a mixed meter dance (m. 27) during which a chamber instrumentation performs the dance-like melody over a steady percussion groove. The following aggressive up-tempo flourish (m. 44) plays with odd meters, alternating six and five in jubilant syncopation. The second dance treatment (m. 60) is set in seven and juxtaposes different phrases of the tune. This leads to a pesante restatement of the tune (m. 80) before a rousing finale (m. 88).The conductor is encouraged to follow closely the marked tempos and pay close attention to the style and phrase markings throughout. In moments of syncopation, especially during the mixed meter sections, performers should attempt to emphasize the off-beats to achieve maximum nuance.