Cantatas for solo voice and continuo bass. Volume II. Ca. 1706 - Ca. 1727 Alto Voice - Sheet Music

This facsimile of the manuscript by Georg Friedrich Haendel is part of our Dominantes collection. Facsimile edition in six volumes of the holographs of Handel's Italian cantatas. This publication at last makes these very fine works available to all. Presentation by Philippe Lescat: Comprehension of the score - corrections and suggestions - the revisions of the cantatas - restoration - index to this volume. Cantatas for solo voice and continuo. Facsimile of Handel's autograph manuscript. Volume II. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.

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Details

Format:
Score
Item types:
Physical
Musical forms:
Cantata
Usages:
School and Community
Size:
24.00 x 32.00 cm inches
Shipping Weight:
2.34 pounds

Soprano voice and continuo, Male alto/Low soprano voice and continuo

SKU: FZ.5799

Ca. 1706 - Ca. 1727. Composed by Georg Friedrich Haendel. Edited by Philippe Lescat. This edition: Facsimile. Collection Dominantes. Score. Anne Fuzeau Productions - France #5799. Published by Anne Fuzeau Productions - France (FZ.5799).

ISBN 9790230657990. 24.00 x 32.00 cm inches.

This facsimile of the manuscript by Georg Friedrich Haendel is part of our Dominantes collection. Facsimile edition in six volumes of the holographs of Handel's Italian cantatas. This publication at last makes these very fine works available to all. Presentation by Philippe Lescat: Comprehension of the score - corrections and suggestions - the revisions of the cantatas - restoration - index to this volume. Cantatas for solo voice and continuo. Facsimile of Handel's autograph manuscript. Volume II. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.