Byzantium for Soprano and Orchestra (Piano Reduction) by Sir Michael Tippett Voice - Sheet Music

By Sir Michael Tippett

Michael Tippett's description of what drew him to the longer of W. B. Yeats' two poems on Byzantium gives us a glimpse of what was going through his mind as the fascination of Byzantium as a mode of self-renewal becomes evident: 'The crystalline intensity of the poem itself offered a challenge in setting its verbal imagery to music; [and] I identified completely with its emphasis on the notion of artefacts, enshrining values that can be set against the impermanence of the everyday world and the complexities of the human beating heart.' (Michael Tippett)

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Details

Instrument:
Piano Voice
Genres:
Classical
Composers:
Sir Michael Tippett
Publishers:
Schott Music
UPC:
073999761344
ISBN:
9790220115721
Format:
Reduction
Item types:
Physical
Level:
Advanced
Artist:
Sir Michael Tippett
Usages:
School and Community
Number of Pages:
64
Size:
9.0x12.0x0.218 inches
Shipping Weight:
0.8 pounds

Piano; Voice (3(3pic).2.ca.3 (Ebcl/bcl).2.cbn-4.2.3.1- 7perc(sn.dr., t.d., b.d., clashed cym., large sus.cym., w.bl., cast., tri., xyl., vib., glock., crots., bells - plus single G on separate stand, claves, 3 anvils (high, medium, low))-2hp.cel.eorg-str) - difficult

SKU: HL.49014894

For Soprano and Orchestra (Piano Reduction). Composed by Sir Michael Tippett. Sheet music. Edition Schott. Classical. Piano reduction. Composed 1989-1990. 64 pages. Duration 25'. Schott Music #ED12376. Published by Schott Music (HL.49014894).

ISBN 9790220115721. UPC: 073999761344. 9.0x12.0x0.218 inches. English.

Michael Tippett's description of what drew him to the longer of W. B. Yeats' two poems on Byzantium gives us a glimpse of what was going through his mind as the fascination of Byzantium as a mode of self-renewal becomes evident: 'The crystalline intensity of the poem itself offered a challenge in setting its verbal imagery to music; [and] I identified completely with its emphasis on the notion of artefacts, enshrining values that can be set against the impermanence of the everyday world and the complexities of the human beating heart.' (Michael Tippett).