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Composed by American Folk Hymn. Arranged by Randolph Currie. Sacred Anthem. With Handbells 2 octaves, Glockenspiel. Christian. Octavo. 8 pages. Chorister's Guild - Digital #CGA130. Published by Chorister's Guild - Digital (C7.CGA130).
UPC: 749193003176. 7 x 10.25 inches.
Brethren, We Have Met to Worship is an arrangement of an American folk hymn with a pentatonic melody; the text is by George Atkins. Although quite within the realm of Junior-age choirs, the words would seem to indicate performance by high school or even adult singers. The first stanza, though in unison, could alternate men and women as long as the sturdiness of the tune is maintained. The second, in canon, has the boys posing questions with the girls answers overlapping. This section should be unusually animated so that the listener is swept along with the dialogue. The final stanza, unison with descant, probably would be best with first sopranos on the obbligato, all other voices on the tune. Having the lower women's voices join the men on the melody will fill in the extremes of the part writing and give more possibilities for the divisi in the last few measures. The composer has given some general registration suggestions for performance on the organ. Light, clear sounds should be used that will support the voices as well as emphasize the rhythmic nature of the piece. Voicing: Unison/Two-part with handbells, glockenspiel, and organ Arranger: Randolph Currie Text: George Atkins.
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print or digitally distribute individual copies to friends or students).
Composed by American Folk Hymn. Arranged by Randolph Currie. Sacred Anthem. With Handbells 2 octaves, Glockenspiel. Christian. Octavo. 8 pages. Chorister's Guild - Digital #CGA130. Published by Chorister's Guild - Digital (C7.CGA130).
UPC: 749193003176. 7 x 10.25 inches.
Brethren, We Have Met to Worship is an arrangement of an American folk hymn with a pentatonic melody; the text is by George Atkins. Although quite within the realm of Junior-age choirs, the words would seem to indicate performance by high school or even adult singers. The first stanza, though in unison, could alternate men and women as long as the sturdiness of the tune is maintained. The second, in canon, has the boys posing questions with the girls answers overlapping. This section should be unusually animated so that the listener is swept along with the dialogue. The final stanza, unison with descant, probably would be best with first sopranos on the obbligato, all other voices on the tune. Having the lower women's voices join the men on the melody will fill in the extremes of the part writing and give more possibilities for the divisi in the last few measures. The composer has given some general registration suggestions for performance on the organ. Light, clear sounds should be used that will support the voices as well as emphasize the rhythmic nature of the piece. Voicing: Unison/Two-part with handbells, glockenspiel, and organ Arranger: Randolph Currie Text: George Atkins.
About Digital Downloads
Digital Downloads are downloadable sheet music files that can be viewed directly on
your computer, tablet or mobile device. Once you download your digital sheet music,
you can view and print it at home, school, or anywhere you want to make music, and
you don't have to be connected to the internet. Just purchase, download and play!
PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page
that will include your name, purchase date and number of copies purchased. You are
only authorized to print the number of copies that you have purchased. You may not
digitally distribute or print more copies than purchased for use (i.e., you may not
print or digitally distribute individual copies to friends or students).
Preview: Brethren, We Have Met to Worship
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