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Eugene Rogers Choral Series. Composed by J. David Moore. Eugene Rogers Choral Series. Concert, Festival, Folk. Octavo. 20 pages. Mark Foster Music #35030210. Published by Mark Foster Music (HL.35030210).
ISBN 9781495012334. UPC: 888680049317. 6.75x10.5x0.045 inches.
Written at the request of Eugene Rogers for his new series, “Bound for the Promised Land” uses three 19th-century melodies: the shape note hymn “The Promised Land;” and two Appalachian fiddle tunes, “Santa Anna's Retreat” and “The Temperance Reel.” Using the Celtic phenomenon called mouth music or lilting, the singers accompany the dance music as fiddlers in a light and energetic fashion. The hymn tune, published in 1835, is credited to Miss M. Durhan, and is thus probably the first music published in America by a female composer. Duration Ca. 4 minutes.
Eugene Rogers Choral Series. Composed by J. David Moore. Eugene Rogers Choral Series. Concert, Festival, Folk. Octavo. 20 pages. Mark Foster Music #35030210. Published by Mark Foster Music (HL.35030210).
ISBN 9781495012334. UPC: 888680049317. 6.75x10.5x0.045 inches.
Written at the request of Eugene Rogers for his new series, “Bound for the Promised Land” uses three 19th-century melodies: the shape note hymn “The Promised Land;” and two Appalachian fiddle tunes, “Santa Anna's Retreat” and “The Temperance Reel.” Using the Celtic phenomenon called mouth music or lilting, the singers accompany the dance music as fiddlers in a light and energetic fashion. The hymn tune, published in 1835, is credited to Miss M. Durhan, and is thus probably the first music published in America by a female composer. Duration Ca. 4 minutes.
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