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  • Bluegrass Jazz Guitar Volume 1 Acoustic Guitar - Sheet Music
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Bluegrass Jazz Guitar Volume 1 Acoustic Guitar - Sheet Music

Flatpicking guitar has taken an interesting journey since its inception, first with Maybelle Carter, then Don Reno, Doc Watson and Clarence White. Younger players who began by listening to the original masters have melded those influences with other styles, including blues, swing, classical and even various World styles.When first listening to Doc Watson and Clarence White, Barry Solomon was particularly attracted to their use of swing and jazz licks and phrasing, and their choices of songs straight from the Tin Pan Alley and Great American Songbook. Tunes like Limehouse Blues, All of Me, and Honeysuckle Rose were exciting challenges to explore after becoming comfortable with bluegrass and fiddle tunes. Barry always thought that bluegrass and jazz were a wonderful combination, and the most gratifying challenge has been to create arrangements that meld both styles in a tasteful and exciting manner.Titles presented in Volume 1 include: Lady Be Good, Take the A Train, Sollys Blues, Back Home In Indiana, Therell Never Be Another You and Georgia On My Mind. Accompanying audio is included.

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Details

Instrument:
Bluegrass Fiddle Acoustic Guitar Electric Guitar Flatpicking Guitar
Genres:
Bluegrass Jazz
Publishers:
Mel Bay Publications, Inc
ISBN:
9780786685639
Format:
CD Book and CD
Item types:
Physical
Instructionals:
Methods and More
Level:
Intermediate Advanced
Usages:
School and Community
Number of Pages:
36
Size:
8.75 x 11.75 inches
Shipping Weight:
0.48 pounds

Flatpicking guitar - Intermediate-Advanced

SKU: MB.30203BCD

Composed by Grossman's Guitar Workshop. This edition: Saddle Stitch. Flatpicking Guitar, Guitar, Bluegrass, Jazz, Method, Saddle-stitched. Grossman Audio. Bluegrass. Book/3-CD set. 36 pages. Mel Bay Publications, Inc #30203BCD. Published by Mel Bay Publications, Inc (MB.30203BCD).

ISBN 9780786685639. 8.75 x 11.75 inches.

Flatpicking guitar has taken an interesting journey since its inception, first with Maybelle Carter, then Don Reno, Doc Watson and Clarence White. Younger players who began by listening to the original masters have melded those influences with other styles, including blues, swing, classical and even various World styles.When first listening to Doc Watson and Clarence White, Barry Solomon was particularly attracted to their use of swing and jazz licks and phrasing, and their choices of songs straight from the Tin Pan Alley and Great American Songbook. Tunes like Limehouse Blues, All of Me, and Honeysuckle Rose were exciting challenges to explore after becoming comfortable with bluegrass and fiddle tunes. Barry always thought that bluegrass and jazz were a wonderful combination, and the most gratifying challenge has been to create arrangements that meld both styles in a tasteful and exciting manner.Titles presented in Volume 1 include: Lady Be Good, Take the A Train, Sollys Blues, Back Home In Indiana, Therell Never Be Another You and Georgia On My Mind. Accompanying audio is included.

  • Lady Be Good

  • Take The A Train

  • Solly’s Blues

  • Back Home in Indiana

  • There’ll Never Be Another You

  • Georgia on My Mind

    • Instrument:
    Folk Fiddle Bluegrass Fiddle Guitar Acoustic Guitar Guitar Electric Guitar Guitar Flatpicking Guitar
    Publisher:
    Mel Bay Publications, Inc