20700072
Biblical Songs Op. 99
20700072
20700072
20700072
Copyright Material for Preview Only - Sheet Music Plus
Voice(s) and organ
SKU: BR.EB-8839
Composed by Antonin Dvorak. Arranged by Klaus-Uwe Ludwig. Voice; stapled. Edition Breitkopf.
Text underlay in Czech and German
Romantic period. Score. 36 pages. Breitkopf and Haertel #EB 8839. Published by Breitkopf and Haertel (BR.EB-8839).
ISBN 9790004184189. 9 x 12 inches. German / Czech.
Grief, Solace, and Trust The 10-lieder cycle, Biblical Songs op. 99, was composed in the spring of 1894 in New York City, where Antonin Dvorak lived for nearly two years. Homesickness and sad news of the death of composer friends, together with his own father's poor state of health, may have prompted Dvorak to choose the intimate form and religious subject. All of the cycle's texts derive from the "Book of Psalms" in the Old Testament. Klaus Uwe Ludwig's moving organ arrangement, close to the original, is based on the Dvorak Complete Edition. In translating the text from Czech to German, Ludwig respected to the utmost the content and speech rhythms paramount in the original.
Voice(s) and organ
SKU: BR.EB-8839
Composed by Antonin Dvorak. Arranged by Klaus-Uwe Ludwig. Voice; stapled. Edition Breitkopf.
Text underlay in Czech and German
Romantic period. Score. 36 pages. Breitkopf and Haertel #EB 8839. Published by Breitkopf and Haertel (BR.EB-8839).
ISBN 9790004184189. 9 x 12 inches. German / Czech.
Grief, Solace, and Trust The 10-lieder cycle, Biblical Songs op. 99, was composed in the spring of 1894 in New York City, where Antonin Dvorak lived for nearly two years. Homesickness and sad news of the death of composer friends, together with his own father's poor state of health, may have prompted Dvorak to choose the intimate form and religious subject. All of the cycle's texts derive from the "Book of Psalms" in the Old Testament. Klaus Uwe Ludwig's moving organ arrangement, close to the original, is based on the Dvorak Complete Edition. In translating the text from Czech to German, Ludwig respected to the utmost the content and speech rhythms paramount in the original.
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