23144763
Belgaresque No. 2
23144763
23144763
23144763
Copyright Material for Preview Only - Sheet Music Plus
Flute and guitar - Advanced
SKU: DY.DO-1611
Composed by Atanas Ourkouzounov. Score and part. Les Editions Doberman-Yppan #DO 1611. Published by Les Editions Doberman-Yppan (DY.DO-1611).
ISBN 9782897963910.
The piece Bulgaresque No. 2 is part of a cycle of chamber music works composed for various ensembles. These pieces are influenced by contemporary Bulgarian music, characterized as a kind of "jazz-folk" fusion grounded in strong folkloric roots. In addition to modal language and irregular rhythms, I have incorporated improvised sections into the structure of the piece, always supported by a fixed harmonic framework for the accompaniment.
La pièce « Bulgaresque No. 2 » fait partie d’un cycle de pièces de musique de chambre composées pour des formations variées. Ces pièces sont influencées par la musique actuelle de Bulgarie, caractérisée comme une sorte de fusion « jazz-folk » reposant sur des bases solidement ancrées dans le folklore. Outre le langage modal et les rythmes impairs, j’ai inclus des parties improvisées dans la structure de la pièce, avec toujours une grille harmonique fixe pour l’accompagnement.
Flute and guitar - Advanced
SKU: DY.DO-1611
Composed by Atanas Ourkouzounov. Score and part. Les Editions Doberman-Yppan #DO 1611. Published by Les Editions Doberman-Yppan (DY.DO-1611).
ISBN 9782897963910.
The piece Bulgaresque No. 2 is part of a cycle of chamber music works composed for various ensembles. These pieces are influenced by contemporary Bulgarian music, characterized as a kind of "jazz-folk" fusion grounded in strong folkloric roots. In addition to modal language and irregular rhythms, I have incorporated improvised sections into the structure of the piece, always supported by a fixed harmonic framework for the accompaniment.
La pièce « Bulgaresque No. 2 » fait partie d’un cycle de pièces de musique de chambre composées pour des formations variées. Ces pièces sont influencées par la musique actuelle de Bulgarie, caractérisée comme une sorte de fusion « jazz-folk » reposant sur des bases solidement ancrées dans le folklore. Outre le langage modal et les rythmes impairs, j’ai inclus des parties improvisées dans la structure de la pièce, avec toujours une grille harmonique fixe pour l’accompagnement.
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