Ballad in D minor Op. 288 Urtext by Carl Reinecke Orchestra - Sheet Music

By Carl Reinecke

Carl Reinecke was keen to explore music, not just "nibble" at it. Numerous statements reveal that he approved of and even relished small deviations in the music text in parallel passages. The present edition largely dispenses with assimilation – Reinecke speaks of applanation or levelling. It is based on both the first edition of the orchestral parts and the composer’s original version for flute and piano, the only surviving source in which the solo part is included. The fact that the different versions are not assimilated but juxtaposed, both in the score and in the piano reduction accompanying the edition, facilitates the study of both versions through direct comparison. At the same time, this edition provides a consistent music text suitable for today’s orchestral practice.Indispensable repertoire work; First critical edition; Two versions of the ballad are included in score and piano reduction

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Details

Instrument:
Flute Solo
Ensembles:
Orchestra
Genres:
Romantic Period
Composers:
Carl Reinecke
Publishers:
Breitkopf and Haertel
Series:
Breitkopf Orchestral Library
ISBN:
9790004350799
Format:
Part
Item types:
Physical
Artist:
Carl Reinecke
Usages:
School and Community
Number of Pages:
4
Size:
10 x 12.5 inches
Shipping Weight:
0.3 pounds

Violoncello (solo flute – 2.2.2.2 – 2.2.0.0 – timp.perc – str)

SKU: BR.OB-5749-23

Urtext. Composed by Carl Reinecke. Edited by Vorname Nachname. This edition: stapled. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Romantic; Late-romantic. Part. 4 pages. Duration 8:00. Breitkopf and Haertel #OB 5749-23. Published by Breitkopf and Haertel (BR.OB-5749-23).

ISBN 9790004350799. 10 x 12.5 inches.

Carl Reinecke was keen to explore music, not just "nibble" at it. Numerous statements reveal that he approved of and even relished small deviations in the music text in parallel passages. The present edition largely dispenses with assimilation – Reinecke speaks of applanation or levelling. It is based on both the first edition of the orchestral parts and the composer’s original version for flute and piano, the only surviving source in which the solo part is included. The fact that the different versions are not assimilated but juxtaposed, both in the score and in the piano reduction accompanying the edition, facilitates the study of both versions through direct comparison. At the same time, this edition provides a consistent music text suitable for today’s orchestral practice.

Indispensable repertoire work; First critical edition; Two versions of the ballad are included in score and piano reduction.