Auld Lang Syne Acoustic Guitar - Digital Sheet Music

1.

1. Arranged for guitar. 2. Guitar TAB added. 3. Re-harmonized to be idiomatic for guitar and have more adventerous harmony. 4. Grace notes added.Tips:1. The grace notes, pastural key, uncommon harmony, and overly drenched G major pentatonic sound lead to a more Irish/Celtic/Scottish idiom, as if this was written for bag pipes. 2. Too many versions of public domain songs will just "phone in" the chords in my opinion with a I IV and V7. This version is a bit jazzed up, which may not be what you looking for. If you are looking for real basic accompianiment this isn't the version for you, though I do try to use as many open strings on the guitar as possible, and the chords are often small.3. The other problem I often see with public domain songs is that the famous "cowboy" guitar chords most versions use lead to a lot of clunky part writing in my opinion (no thought of tendency tones, no thought of smooth voice leading, parralel 8ves and 5ths, doubled 3rds, etc). Those voicings are easier to sight-read, but are also not super creative, and as a teacher, I don't exactly want a student to see the same G Major voicing forever. That gives this false impression that that G major vocing is somehow superior. 4. Another small issue I see with public domain songs is that the vocal melody is sometimes not in the famous "cowboy" guitar chord. There is nothing wrong with that, and sometimes you want that, but since I like to train my singing with the help of my guitar, I like when arrangements make the vocal melody easy to add or remove on guitar. I can easily play a sophisticated solo version of this in a coffee shop, or I can just look at the chord nomenclature and see the song only from a rhythm section point of view when in a full band, when usually you purposely want to contribute less.5. Notes with an upward stem represent those notes being the original melody. This give arrangement a lot of replay value because a skillfull performer can improvise the background harmonies.6. Some harmonies may include too much dissonance and open strings for some tastes. If you feel that way, replace them with what the chord diagrams are saying. For me, these "incorrect" bass notes remind me of a drone tone a bag pipe would do.

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Format:
Fake Book
Item types:
Digital
Instructionals:
Methods and More
Level:
Beginning
Usages:
School and Community
Number of Pages:
2

Guitar - Level 1 - Digital Download

SKU: A0.1162362

Composed by Traditional Scottish Folk. Arranged by Brian Streckfus. This edition: pdf. Celtic, Folk, Holiday, Instructional, Irish, Traditional. Lead Sheet / Fake Book. 2 pages. Brian Streckfus #762722. Published by Brian Streckfus (A0.1162362).

1. Arranged for guitar.
2. Guitar TAB added.
3. Re-harmonized to be idiomatic for guitar and have more adventerous harmony.
4. Grace notes added.

Tips:
1. The grace notes, pastural key, uncommon harmony, and overly drenched G major pentatonic sound lead to a more Irish/Celtic/Scottish idiom, as if this was written for bag pipes.
2. Too many versions of public domain songs will just "phone in" the chords in my opinion with a I IV and V7. This version is a bit jazzed up, which may not be what you looking for. If you are looking for real basic accompianiment this isn't the version for you, though I do try to use as many open strings on the guitar as possible, and the chords are often small.
3. The other problem I often see with public domain songs is that the famous "cowboy" guitar chords most versions use lead to a lot of clunky part writing in my opinion (no thought of tendency tones, no thought of smooth voice leading, parralel 8ves and 5ths, doubled 3rds, etc). Those voicings are easier to sight-read, but are also not super creative, and as a teacher, I don't exactly want a student to see the same G Major voicing forever. That gives this false impression that that G major vocing is somehow superior.
4. Another small issue I see with public domain songs is that the vocal melody is sometimes not in the famous "cowboy" guitar chord. There is nothing wrong with that, and sometimes you want that, but since I like to train my singing with the help of my guitar, I like when arrangements make the vocal melody easy to add or remove on guitar. I can easily play a sophisticated solo version of this in a coffee shop, or I can just look at the chord nomenclature and see the song only from a rhythm section point of view when in a full band, when usually you purposely want to contribute less.
5. Notes with an upward stem represent those notes being the original melody. This give arrangement a lot of replay value because a skillfull performer can improvise the background harmonies.
6. Some harmonies may include too much dissonance and open strings for some tastes. If you feel that way, replace them with what the chord diagrams are saying. For me, these "incorrect" bass notes remind me of a drone tone a bag pipe would do.

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