20681993
Arise
20681993
20681993
20681993
Copyright Material for Preview Only - Sheet Music Plus
Equal 3-part treble or women's choir and piano - Early Intermediate
SKU: EC.1-3415
Composed by Nancy Gifford. Easter, 21st Century, Creation/Nature, Love. Octavo. Duration 2 minutes, 2 seconds. Galaxy Music Corporation #1.3415. Published by Galaxy Music Corporation (EC.1-3415).
ISBN 600313134159. UPC: 600313134159. English. Song of Songs 2:11-12.
The text for Arise is adapted from the Song of Songs 2:11–12, attributed to King Solomon. It is both a song of human love and spiritual devotion. Scored for three-part treble voices and piano, Arise joyfully welcomes new love, spring, or spiritual renewal. Duration: 2:02
The initial major motif appears successively in different parts of the chorus, then in canon in the piano part with the chorus, and finally as a three-part round. The middle section, “Arise, come away,” is set in a minor mode and is legato in phrasing to express desire and longing. Here the chorus divides into two parts, as in two parts of a couple. In the final section, the major motif returns to celebrate the invitation to love being accepted. - Nancy Gifford.
Equal 3-part treble or women's choir and piano - Early Intermediate
SKU: EC.1-3415
Composed by Nancy Gifford. Easter, 21st Century, Creation/Nature, Love. Octavo. Duration 2 minutes, 2 seconds. Galaxy Music Corporation #1.3415. Published by Galaxy Music Corporation (EC.1-3415).
ISBN 600313134159. UPC: 600313134159. English. Song of Songs 2:11-12.
The text for Arise is adapted from the Song of Songs 2:11–12, attributed to King Solomon. It is both a song of human love and spiritual devotion. Scored for three-part treble voices and piano, Arise joyfully welcomes new love, spring, or spiritual renewal. Duration: 2:02
The initial major motif appears successively in different parts of the chorus, then in canon in the piano part with the chorus, and finally as a three-part round. The middle section, “Arise, come away,” is set in a minor mode and is legato in phrasing to express desire and longing. Here the chorus divides into two parts, as in two parts of a couple. In the final section, the major motif returns to celebrate the invitation to love being accepted. - Nancy Gifford.
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