1. Vocal
  2. / Choir
  3. / Après une journée
  • Après une journée 4-Part - Sheet Music
  • Après une journée 4-Part - Sheet Music page 2
  • Après une journée 4-Part - Sheet Music page 3
  • Après une journée 4-Part - Sheet Music page 4
  • Après une journée 4-Part - Sheet Music page 5

Après une journée Les Quatrains Valaisans II 4-Part - Sheet Music

In his settings of five quatrains by Rilke, Cyrill Schürch explores the colorfulness of the literary model. His mainly homophonic, song-like style of setting corresponds to the compactness of the poetry. Schürch wanders freely, but always comprehensibly, through the keys and employs dissonances pointedly and economically. In this way, Schürch’s songs for choir are comparable to Hindemith’s sophisticated choral settings of Rilke, while speaking their very own tonal language. The short compositions with their poetically sanguine basic character will enrich every concert program focused on the topics of nature and landscape. They represent a rewarding project for any choir that finds pleasure in exploring tone colors and delicate emotional nuances.

Print edition
$5.01
$6.95
You save: $1.94 ~ 28%

WELCOME20 activated

Ships in 2 to 3 weeks
Special order item, ships once received from publisher.
Quantity save 5% on 2 or more
20
Get a 10% discount with SMP Plus subscription

Details

Instrument:
Choir
Ensembles:
4-Part SATB
Publishers:
Carus Verlag
ISBN:
9790007164973
Format:
Score
Item types:
Physical
Usages:
School and Community
Size:
8.27 x 11.69 inches
Number of Pages:
4
Shipping Weight:
0.75 pounds

SATB chorus

SKU: CA.965820

Les Quatrains Valaisans II. Composed by Cyrill Schurch. Edited by Stefan Schuck. CARUS CONTEMPORARY. Genres / texts frequently set to music: Secular choral music. Secular choral music. Score. Composed 2. 4 pages. Duration 3 minutes. Carus Verlag #CV 09.658/20. Published by Carus Verlag (CA.965820).

ISBN 9790007164973. 8.27 x 11.69 inches. Text language: French. Text by Rainer Maria Rilke.

In his settings of five quatrains by Rilke, Cyrill Schürch explores the colorfulness of the literary model. His mainly homophonic, song-like style of setting corresponds to the compactness of the poetry. Schürch wanders freely, but always comprehensibly, through the keys and employs dissonances pointedly and economically. In this way, Schürch’s songs for choir are comparable to Hindemith’s sophisticated choral settings of Rilke, while speaking their very own tonal language. The short compositions with their poetically sanguine basic character will enrich every concert program focused on the topics of nature and landscape. They represent a rewarding project for any choir that finds pleasure in exploring tone colors and delicate emotional nuances.

Instrument:
Vocal Choir
Ensemble:
4-Part SATB
Publisher:
Carus Verlag