23728560
AMERICA - HAPPY BIRTHDAY! SEMIQUINCENTENNIAL July 4, 2026
23728560
23728560
AMERICA - HAPPY BIRTHDAY! SEMIQUINCENTENNIAL July 4, 2026 Brass Ensemble scores gallery preview page 1
AMERICA - HAPPY BIRTHDAY! SEMIQUINCENTENNIAL July 4, 2026 Brass Ensemble scores gallery preview page 2
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AMERICA - HAPPY BIRTHDAY! SEMIQUINCENTENNIAL July 4, 2026 Brass Ensemble - Digital Sheet Music
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Digital Download

AMERICA - HAPPY BIRTHDAY! SEMIQUINCENTENNIAL July 4, 2026 Brass Ensemble - Digital Sheet Music

Brass Ensemble - Level 5 - Digital Download

SKU: A0.1887771

Composed by 1800's Public Domain. Arranged by Joseph M. Chopp. This edition: pdf. Patriotic, Traditional. 54 pages. JOSEPH M CHOPP #1446436. Published by JOSEPH M CHOPP (A0.1887771).





AMERICA - Happy Birthday!

AMERICA’S SEMIQUINCENTENNIAL - JULY 4, 2026

For Brass Quintet



Music of the American Revolution

arr. by Joseph M. Chopp


Instrumentation: Brass Quintet - 2 Bb Trumpets, French Horn, Trombone, Tuba

OPTIONAL - Soprano vocal

OPTIONAL - Piccolo trumpet

OPTIONAL - Marching field snare drum for an authentic deep sound with heavy sticks.

OPTIONAL - Small marching bass drum played with felt-tipped mallet in each hand.



Performance notes: For a “clean/crisp” performance, pay close attention to articulation and note endings.



Copyright 2026 Joseph M. Chopp Eagle River, WI All Rights Reserved


HAIL, COLUMBIA!

This song originated from a tune called "The Presidents March," composed by Philip Phile in 1789. Joseph Hopkinson wrote new lyrics in 1798, leading to the song's popularization.

"Hail Columbia" served as a de facto national anthem throughout the 19th century, often played at public events. It was considered one of several unofficial anthems until "The Star-Spangled Banner" was officially designated as the national anthem in 1931.

CHESTER

William Billings (Boston, MA, 1746 - 1800) was the preeminent American composer. He worked as a tanner, was self-taught in music and served as an itinerant singing master developing the singing-school tradition in early America. Among his friends were many prominent figures of the American Revolution including Samuel Adams and Paul Revere. His music was written for ordinary colonists who gathered to sing in community.

The first verse refers to the colonies as being in slavery under the British.
Let tyrants shake their iron rod, And Slav’ry clank her galling chains,
We fear them not, we trust in God, New England’s God forever reigns

JOHNNY HAS GONE FOR A SOLDIER

This is just one example of the many songs composed and sung during the revolutionary war. Songs were of deep emotion, joy and a budding patriotism, love, loss, victories, hardship and other war related issues.

THE BRITISH GRENADIERS

This is a traditional marching song from the 17th century of British military units whose badge of identification features a grenade. The grenadier’s function was to throw grenades carried in heavy satchels.

YANKEE DOODLE

In British conversation, the term "Yankee doodle dandy" implied unsophisticated attempt at upper-class fashion. The British troops sang it to mock American soldiers as simpletons who thought that they were stylish simply by sticking a feather in their hats. American soldiers took this song as their own, adding verses to it that mocked the British and was then hailed by George Washington. By 1781, "Yankee Doodle" became a song of national pride among Americans.

This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.

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