Abgang and Kaddish Quartet by Ellen Taaffe Zwilich Chamber Music - Sheet Music

By Ellen Taaffe Zwilich

Faced with the same instrumentation as Messiaen’s iconic Quartet for the End of Time, composed in a POW camp during World War II, Ellen Taaffe Zwilich was moved to give voice to those less fortunate prisoners who would never return home. Zwilich’s chilling memorial quotes music created in concentration camps, drawing on two short excerpts to create an artistic view of a death march and song of grieving.The German word “Abgang” has an innocent meaning of “exit,” but the Nazis used it as a signal that concentration camp prisoners were there to be sent off and murdered.My first movement, Abgang, is based on two musical fragments. It begins with a quote of a Hebraic melody that Viktor Ullmann used as a basis for variations in his Piano Sonata No. 7 that he was working on while in Theresienstadt. Next is a short quote of a fox trot that was arranged by a composer (only identified by his prisoner-number) for performance in Auschwitz. What follows is a purely musical, but deeply personal exploration.After finishing the movement, I felt it necessary to add a second movement, Kaddish, which is a prayer recited in mourning, without a single mention of death, but celebrating God, peace, and life. The Kaddish appears in the score and parts in an English translation (along with some Aramaic). It is not meant to be spoken or sung, but to guide the performers in giving meaning to the musical phrases.

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Details

Instrument:
Cello B-Flat Clarinet Piano Violin
Ensembles:
Chamber Music
Genres:
20th Century
Composers:
Ellen Taaffe Zwilich
Publishers:
Merion Music
Series:
Women Composers and Arrangers
UPC:
680160680047
ISBN:
9781491136607
Format:
Score Set of Parts Score and Parts
Item types:
Physical
Artist:
Ellen Taaffe Zwilich
Usages:
School and Community
Number of Pages:
44
Size:
9 x 12 inches
Shipping Weight:
1.98 pounds

Chamber Music Cello, Clarinet in Bb, Piano, Violin

SKU: PR.144407280

Composed by Ellen Taaffe Zwilich. This edition: saddle-wire stitch. Sws. Score and parts. 44 pages. Duration 0:12:00. Merion Music #144-40728. Published by Merion Music (PR.144407280).

ISBN 9781491136607. UPC: 680160680047. 9 x 12 inches.

Faced with the same instrumentation as Messiaen’s iconic Quartet for the End of Time, composed in a POW camp during World War II, Ellen Taaffe Zwilich was moved to give voice to those less fortunate prisoners who would never return home. Zwilich’s chilling memorial quotes music created in concentration camps, drawing on two short excerpts to create an artistic view of a death march and song of grieving.
The German word “Abgang” has an innocent meaning of “exit,” but the Nazis used it as a signal that concentration camp prisoners were there to be sent off and murdered.My first movement, Abgang, is based on two musical fragments. It begins with a quote of a Hebraic melody that Viktor Ullmann used as a basis for variations in his Piano Sonata No. 7 that he was working on while in Theresienstadt. Next is a short quote of a fox trot that was arranged by a composer (only identified by his prisoner-number) for performance in Auschwitz. What follows is a purely musical, but deeply personal exploration.After finishing the movement, I felt it necessary to add a second movement, Kaddish, which is a prayer recited in mourning, without a single mention of death, but celebrating God, peace, and life. The Kaddish appears in the score and parts in an English translation (along with some Aramaic). It is not meant to be spoken or sung, but to guide the performers in giving meaning to the musical phrases.