20441650
A Tangled View
20441650
20441650
20441650
Copyright Material for Preview Only - Sheet Music Plus
Chamber Music Bass Flute, Flute 1, Flute 2, alto Flute
SKU: PR.494030710
For Three Flutes. Composed by Peter Senchuk. Score and parts. With Standard notation. 12+8+8+8 pages. Forest Glade Music #494-03071. Published by Forest Glade Music (PR.494030710).
ISBN 9781491122785. UPC: 680160641611.
2003 was a time of conflict and conflicting information/disinformation. The very struggle to determine the truth became the impetus behind A Tangled View for three flutes. The first of three sections builds slowly into an engaging interplay, in which the three flutes pass elements back and forth, questioning, testing. The middle section is in memory of a friend who had recently passed, and includes a salute to Messiaen's Modes of Limited Transposition, a favorite of the departed. Then, finally, as Senchuk says, A solo by Flute 1 takes us to the fast final section. Marked Angry, it makes use of agressive rhythmic figures and changing textures. The angry tone of this section reflects the bitter disillusionment of being misled.
Chamber Music Bass Flute, Flute 1, Flute 2, alto Flute
SKU: PR.494030710
For Three Flutes. Composed by Peter Senchuk. Score and parts. With Standard notation. 12+8+8+8 pages. Forest Glade Music #494-03071. Published by Forest Glade Music (PR.494030710).
ISBN 9781491122785. UPC: 680160641611.
2003 was a time of conflict and conflicting information/disinformation. The very struggle to determine the truth became the impetus behind A Tangled View for three flutes. The first of three sections builds slowly into an engaging interplay, in which the three flutes pass elements back and forth, questioning, testing. The middle section is in memory of a friend who had recently passed, and includes a salute to Messiaen's Modes of Limited Transposition, a favorite of the departed. Then, finally, as Senchuk says, A solo by Flute 1 takes us to the fast final section. Marked Angry, it makes use of agressive rhythmic figures and changing textures. The angry tone of this section reflects the bitter disillusionment of being misled.
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