A German Requiem to words from the Holy Scriptures by Johannes Brahms TB - Sheet Music

By Johannes Brahms

Since its first complete performance in 1869 in Leipzig, Brahms's Ein deutsches Requiem (German Requiem) is, without question, one of the key works in the history of the oratorio. The reputation of the work is based not only on its unusually concentrated musical structure, but also on the original conception of the text: Brahms assembled important passages from both the Old and New Testaments in Luther’s translation so that thoughts on sorrow and consolation would obviously refer to one another. In contrast to many other oratorios of the 19th century Brahms places the choir, the voice of the community, in the center of this interdenominational celebration of the dead.The source-critical edition is based on the first published edition of the score, which Brahms authorized.Thanks to an arrangement by J. Linckelmann (Carus 27.055/50), it is possible to perform the work in smaller settings.

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Details

Instrument:
Choir Flute
Ensembles:
TB 4-Part SATB 2-Part Orchestra
Genres:
Christian Romantic Period
Composers:
Johannes Brahms
Publishers:
Carus Verlag
Series:
Carus Choir Coach
EAN:
4009350736825
Format:
CD
Item types:
Physical
Instructionals:
Methods and More
Level:
Grade 4
Artist:
Johannes Brahms
Usages:
Mass
Size:
DIN A5 inches
Shipping Weight:
0.19 pounds

Orchestra Soli SB, Coro SATB, Pic, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Tb, 3 Timp, Arpa, 2 Vl, Va, Vc, Cb, [Org, Cfg] - Grade 4

SKU: CA.2705592

To words from the Holy Scriptures. Composed by Johannes Brahms. Carus Choir Coach. Mp3, Practice-CD, alto. Sacred vocal music, Requiem. Carus Choir Coach (audio only). Op. 45. Duration 70 minutes. Carus Verlag #CV 27.055/92. Published by Carus Verlag (CA.2705592).

DIN A5 inches. Language: German.

Since its first complete performance in 1869 in Leipzig, Brahms's Ein deutsches Requiem (German Requiem) is, without question, one of the key works in the history of the oratorio. The reputation of the work is based not only on its unusually concentrated musical structure, but also on the original conception of the text: Brahms assembled important passages from both the Old and New Testaments in Luther’s translation so that thoughts on sorrow and consolation would obviously refer to one another. In contrast to many other oratorios of the 19th century Brahms places the choir, the voice of the community, in the center of this interdenominational celebration of the dead.

The source-critical edition is based on the first published edition of the score, which Brahms authorized.

Thanks to an arrangement by J. Linckelmann (Carus 27.055/50), it is possible to perform the work in smaller settings.