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Cantata for the 22nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Felix Loy. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Carus digital: Sheet music as PDF. Sacred vocal music, End of the church year. Full score. Composed 1726. BWV 55. 24 pages. Duration 15 minutes. Carus Verlag #CV 31.055/00. Published by Carus Verlag (CA.3105500).
ISBN 9790007096502. 8.27 x 11.69 inches. Language: German/English.
In the cantata Ich armer Mensch, ich Sündenknecht (A feeble soul, a slave of sin) Bach was able to achieve extraordinary expressive power with slender vocal means, viz. a single solo tenor throughout until the final chorale, which was written for four voices. The last three movements come from an earlier, lost work by Bach, presumably a Passion. At the same time these movements seem to point towards his St Matthew Passion, which was first performed on Good Friday in 1727, shortly after this cantata was written: both the text Erbarme dich (Have mercy) and the chorale verse Bin ich gleich von dir gewichen (I am about to depart from you) feature prominently in the St Matthew.
Cantata for the 22nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Felix Loy. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Carus digital: Sheet music as PDF. Sacred vocal music, End of the church year. Full score. Composed 1726. BWV 55. 24 pages. Duration 15 minutes. Carus Verlag #CV 31.055/00. Published by Carus Verlag (CA.3105500).
ISBN 9790007096502. 8.27 x 11.69 inches. Language: German/English.
In the cantata Ich armer Mensch, ich Sündenknecht (A feeble soul, a slave of sin) Bach was able to achieve extraordinary expressive power with slender vocal means, viz. a single solo tenor throughout until the final chorale, which was written for four voices. The last three movements come from an earlier, lost work by Bach, presumably a Passion. At the same time these movements seem to point towards his St Matthew Passion, which was first performed on Good Friday in 1727, shortly after this cantata was written: both the text Erbarme dich (Have mercy) and the chorale verse Bin ich gleich von dir gewichen (I am about to depart from you) feature prominently in the St Matthew.
Preview: A feeble soul, a slave of sin
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