4 Keyboard Sonatas by Domenico Cimarosa Piano Solo - Digital Sheet Music

By Domenico Cimarosa

The four sonatas in this volume are a tantalising introduction to Artaria Editions' forthcoming publication of the complete keyboard sonatas of Domenico Cimarosa. (Sonata R20, R30, R25 and R27) The present edition attempts to present as accurately as possible the composer's intentions as transmitted in the Florentine MS with the exception of the grouping of the works into multi-movement cycles. Cimarosa's scant markings have been preserved throughout and, on occasion, applied to parallel passages. As in the original, the editor has placed the onus of responsibility for interpretation back on the performer although he has made occasional tempo suggestions where they are missing from the source. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Nick Rossi Sadly Nick Rossi died before this edition went to press. In the course of its preparation we discussed many issues relating to the genesis of the sonatas and the risk the editor takes in presenting the works to the public with so little help in the matter of interpretation. I have tried to incorporate all of Nick's final thoughts on the sonatas in the edition that follows. Allan Badley

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Details

Instrument:
Piano Solo
Genres:
Classical Period
Composers:
Domenico Cimarosa
Publishers:
Artaria Editions
Series:
ArrangeMe
Format:
Score
Item types:
Digital
Level:
Intermediate
Musical forms:
Sonata
Artist:
Domenico Cimarosa
Usages:
School and Community
Number of Pages:
37

Piano Solo - Level 3 - Digital Download

SKU: A0.1485610

Composed by Domenico Cimarosa. Arranged by Nick Rossi. Classical. Score. 37 pages. Artaria Editions #1062676. Published by Artaria Editions (A0.1485610).

The four sonatas in this volume are a tantalising introduction to Artaria Editions' forthcoming publication of the complete keyboard sonatas of Domenico Cimarosa. (Sonata R20, R30, R25 and R27)

The present edition attempts to present as accurately as possible the composer's intentions as transmitted in the Florentine MS with the exception of the grouping of the works into multi-movement cycles. Cimarosa's scant markings have been preserved throughout and, on occasion, applied to parallel passages.

As in the original, the editor has placed the onus of responsibility for interpretation back on the performer although he has made occasional tempo suggestions where they are missing from the source.

Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Nick Rossi Sadly Nick Rossi died before this edition went to press. In the course of its preparation we discussed many issues relating to the genesis of the sonatas and the risk the editor takes in presenting the works to the public with so little help in the matter of interpretation.

I have tried to incorporate all of Nick's final thoughts on the sonatas in the edition that follows.

Allan Badley.

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