Parte prima (No. 1-50). By György Balla. Composed by Domenico Scarlatti. EMB Urtext. Exam Material. Book Only. Composed 1977. 184 pages. Editio Musica Budapest #EMBZ7817. Published by Editio Musica Budapest (PR.EMB7817).
English-German-Hungarian.
The sonatas are not grouped according to their degree of difficulty, they are given in the order which corresponds with the Kirkpatrick numbering. This is approximately identical with the order in which they were composed. In this way it became possible for the pairs of sonatas included in the selection to be placed closely after one another. Apart from inevitable minor alterations this edition follows the original text and its markings exactly. This does not apply to the fingering which is entirely an editorial addition. (In the original there is no fingering.) An ABRSM syllabus title, 2013-14, Grade 6.
Die Sonaten bringen wir nicht nach Schwierigkeitsgraden geordnet, sondern in der Reihenfolge von Kirkpatricks Verzeichnis. Diese Anordnung entspricht annähernd der Entstehungszeit der Stücke. Dadurch ist es möglich die paarweise zusammengehörenden Sonaten der Auswahl nebeneinander zu stellen. Unsere Ausgabe folgt, von kleineren, notwendigen Umstellungen abgesehen, genau dem Originaltext und dem ursprünglichen Zeichensystem. Dies bezieht sich jedoch nicht auf den Fingersatz, der durchweg ein Vorschlag des Herausgebers ist.
Parte prima (No. 1-50). By György Balla. Composed by Domenico Scarlatti. EMB Urtext. Exam Material. Book Only. Composed 1977. 184 pages. Editio Musica Budapest #EMBZ7817. Published by Editio Musica Budapest (PR.EMB7817).
English-German-Hungarian.
The sonatas are not grouped according to their degree of difficulty, they are given in the order which corresponds with the Kirkpatrick numbering. This is approximately identical with the order in which they were composed. In this way it became possible for the pairs of sonatas included in the selection to be placed closely after one another. Apart from inevitable minor alterations this edition follows the original text and its markings exactly. This does not apply to the fingering which is entirely an editorial addition. (In the original there is no fingering.) An ABRSM syllabus title, 2013-14, Grade 6.
Die Sonaten bringen wir nicht nach Schwierigkeitsgraden geordnet, sondern in der Reihenfolge von Kirkpatricks Verzeichnis. Diese Anordnung entspricht annähernd der Entstehungszeit der Stücke. Dadurch ist es möglich die paarweise zusammengehörenden Sonaten der Auswahl nebeneinander zu stellen. Unsere Ausgabe folgt, von kleineren, notwendigen Umstellungen abgesehen, genau dem Originaltext und dem ursprünglichen Zeichensystem. Dies bezieht sich jedoch nicht auf den Fingersatz, der durchweg ein Vorschlag des Herausgebers ist.
K 1, L 366
K 9, L 413
K 11, L 352
K 20, L 375
K 24, L 495
K 25, L 481
K 26, L 368
K 27, L 449
K 29, L 461
K 30, L 499
K 37, L 406
K 43, L 40
K 51, L 20
K 52, L 267
K 53, L 261
K 55, L 335
K 64, L 58
K 69, L 382
K 72, L 401
K 78, L 75
K 82, L 30
K 96, L 465
K 98, L 325
K 102, L 89
K 103, L 233
K 106, L 437
K 107, L 474
K 113, L 345
K 114, L 344
K 119, L 415
K 120, L 215
K 121, L 181
K 122, L 334
K 124, L 232
K 125, L 487
K 129, L 460
K 132, L 457
K 133, L 282
K 140, L 107
K 141, L 422
K 145, L 369
K 146, L 349
K 148, L 64
K 149, L 93
K 150, L 117
K 151, L 330
K 154, L 96
K 155, L 197
K 158, L 4
K 159, L 104
Preview: 200 Sonate per clavicembalo (pianoforte) 1
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