6229575
12 Soundscapes
6229575
6229575
6229575
Copyright Material for Preview Only - Sheet Music Plus
Piano
SKU: BR.EB-9137
Inside the Piano. Composed by Steffen Schleiermacher. Solo instruments; Softcover. Edition Breitkopf.
World premiere: Leipzig, Mendelssohn-Haus, May 18, 2001Awarded the German Music Edition Prize 2002
Music post-1945; New music (post-2000). Score. Composed 2000. 36 pages. Duration 34'. Breitkopf and Haertel #EB 9137. Published by Breitkopf and Haertel (BR.EB-9137).
ISBN 9790004181096. 9 x 12 inches.
The Soundscapes in the Piano will make young pianists familiar with the performance techniques that play an essential role in modern music. These include playing directly on the piano strings, using the middle pedal, and creating sympathetic vibrations by silently depressing the keys. The pieces vary considerably in their levels of difficulty. No. 2, At the Mountain Lake, and No. 8, On the Mountainside, are probably the best ones to start with. The evocative titles of the pieces give the performers an idea of the "tonal landscape" being explored within it. Interpretation tips also help young pianists in learning the pieces.
World premiere: Leipzig, Mendelssohn-Haus, May 18, 2001 Awarded the German Music Edition Prize 2002.
Piano
SKU: BR.EB-9137
Inside the Piano. Composed by Steffen Schleiermacher. Solo instruments; Softcover. Edition Breitkopf.
World premiere: Leipzig, Mendelssohn-Haus, May 18, 2001Awarded the German Music Edition Prize 2002
Music post-1945; New music (post-2000). Score. Composed 2000. 36 pages. Duration 34'. Breitkopf and Haertel #EB 9137. Published by Breitkopf and Haertel (BR.EB-9137).
ISBN 9790004181096. 9 x 12 inches.
The Soundscapes in the Piano will make young pianists familiar with the performance techniques that play an essential role in modern music. These include playing directly on the piano strings, using the middle pedal, and creating sympathetic vibrations by silently depressing the keys. The pieces vary considerably in their levels of difficulty. No. 2, At the Mountain Lake, and No. 8, On the Mountainside, are probably the best ones to start with. The evocative titles of the pieces give the performers an idea of the "tonal landscape" being explored within it. Interpretation tips also help young pianists in learning the pieces.
World premiere: Leipzig, Mendelssohn-Haus, May 18, 2001 Awarded the German Music Edition Prize 2002.
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