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Sonata for Piano and Violin in G Major Hob. XV:32
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Missa B flat major Hob.XXII:13 'Creation Mass'

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Missa in B-flat major Hob. XXII:13 "Creation Mass"
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Missa B flat major Hob.XXII:13 'Creation Mass'
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Missa B flat major Hob.XXII:13 'Creation Mass'
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Missa B flat major Hob.XXII:13 'Creation Mass'
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Missa B flat major Hob.XXII:13 'Creation Mass'

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Missa B flat major Hob.XXII:13 'Creation Mass'
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Missa in B-flat major Hob. XXII:13 "Creation Mass"
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Missa B flat major Hob.XXII:13 'Creation Mass'
$217.00 $195.30

Mass No. 11 (the Creation Mass)
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Mass No. 11 (the Creation Mass)

About Irmgard Becker-Glauch

Irmgard Becker-Glauch (1914-1990) was a German musicologist and archivist, primarily recognized for her scholarly contributions to the understanding of music history. Her work delved into significant periods and contexts of German music, establishing her as an important figure in academic music research.

Born on November 14, 1914, Irmgard Becker-Glauch lived until 1990, leaving behind a legacy of academic work in musicology.
She authored "Die Bedeutung der Musik für die Dresdener Hoffeste bis in die Zeit August des Starken" (The Significance of Music for the Dresden Court Festivals up to the Time of Augustus the Strong), a notable musicological publication.
Becker-Glauch was also recognized for her work as an archivist.

While Irmgard Becker-Glauch is primarily known for her musicological research rather than extensive compositional output, her scholarly work offers invaluable insights for performers, educators, and students of music history. Her publications are particularly suited for those interested in the historical context and performance practices of specific periods in German music. Engaging with the musical eras she studied provides a rich and rewarding experience, deepening understanding and appreciation for the repertoire.