Billy Hayes Sheet Music

About Billy Hayes

Billy Hayes, born in 1985, is an American musician and songwriter recognized for his powerful drumming and significant contributions to the noise rock, garage punk, and psychedelic pop genres. Rising from the vibrant Memphis music scene, Hayes served as the rhythmic backbone for influential bands such as Jay Reatard and Wavves, and has also showcased his distinct musical voice through his original compositions.

  • Hayes initiated his musical journey in the Memphis hardcore punk band, That Was Then, before expanding his repertoire into psychedelic pop with groups including MÜTZ, The Barbaras, and The Boston Chinks.
  • From 2005 to 2009, he was the touring and recording drummer for punk icon Jay Reatard, contributing to notable releases like the Matador Singles Collection and Watch Me Fall.
  • During his tenure with Wavves, Hayes not only performed as their drummer and sang back-up vocals, but he also co-wrote two tracks, "Convertible Balloon" and "Baby Say Goodbye," featured on their acclaimed 2010 album King of the Beach.
  • After leaving Wavves in 2010, Hayes continued his creative pursuits by forming the band Cretin Stompers with Alex Gates, releasing their debut LP, "Looking Forward to Being Attacked," in 2014.

Performing Billy Hayes' music offers an exhilarating experience, particularly for drummers and enthusiasts of alternative genres seeking energetic and raw compositions. His drumming style, characterized by its loose, speedy, and unique approach, presents an excellent challenge for intermediate to advanced drummers aiming to master the intricacies of punk and indie rock dynamics. For musicians interested in his original songwriting, his tracks from Wavves and Cretin Stompers provide engaging material for instrumentalists and vocalists, offering a deep dive into his distinctive melodic and lyrical craftsmanship within the noise rock and psychedelic pop soundscapes. Engaging with his music is particularly rewarding for those who value authenticity and a driving, unpolished sonic aesthetic.

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