About Arthur Frackenpohl
Arthur Frackenpohl (1924–2019) was a distinguished American composer, arranger, and educator, celebrated for his versatile contributions across various musical genres. While known for a range of instrumental and choral works, he held a particular affinity for compositions for band and brass chamber ensembles, often infused with a clear, accessible, and engaging style. His significant impact on music education, particularly as a long-standing professor at the Crane School of Music, firmly established his legacy in 20th and 21st-century American music.
- Frackenpohl honed his compositional skills under the tutelage of eminent figures such as Darius Milhaud at Tanglewood and Nadia Boulanger at Fontainebleau, where he was awarded the First Prize in Composition in 1950.
- He was an incredibly prolific composer, with over 400 instrumental and vocal compositions and arrangements published throughout his career.
- Beyond his compositional output, he authored the widely respected textbook "Harmonization at the Piano," which has gone through multiple editions and remains a standard in college-level keyboard classes across the United States.
- Frackenpohl's arrangements were notably featured on several albums by the renowned Canadian Brass, and his original works for brass chamber music have become part of the standard repertoire.
Performing Arthur Frackenpohl's music offers rewarding experiences for musicians of many skill levels and instrumental focuses. His extensive catalog includes pieces for concert band, orchestra, various chamber ensembles (especially brass and wind groups), solo piano, and choral works, making his sheet music accessible to students, amateurs, and professionals alike. Musicians will find his compositions to be thoughtfully crafted, offering both pedagogical value and genuine musical enjoyment, whether tackling an original concert band overture, a challenging brass quintet, or a lyrical saxophone solo.